On The Art of Lecturing

The Swiss Orientation Course

By Rudolf Steiner

Translated by Maria St. Goar, Peter Stebbing, and Fred Paddock

GA 339

The six lectures presented here were given in Dornach, Switzerland from the 11th to the 16th of October, 1921. These lectures formed the Swiss Orientation Course, also known as, the Speakers' Course. In the Collected Edition of Rudolf Steiner's works, the volume containing the German texts is entitled, Anthroposophie, soziale Dreigliederung und Redenkunst. Orientierungskurs fuer die oeffentliche Wirksamkeit mit besonderem Himblick auf die Schweitz (Vol. 339 in the Bibliographic Survey, 1961). They were translated from the German by Maria St. Goar. Lecture three was translated by Peter Stebbing, and lecture six by Beverly Smith and Fred Paddock.

Originally published in English, in the Anthroposophical Newsletter. There were nine installments from Autumn 1976 to Winter 1978. This volume is presented here with the kind permission of the Rudolf Steiner Nachlassverwaltung, Dornach, Switzerland.

This e.Text edition is provided through the wonderful work of:

Newsletter of the Anthroposophical Society 

CONTENTS

LECTURE 1
Guidelines for the preparation of a talk: our thoughts interest no one; our will impulses annoy everyone; only our feelings constitute the effectiveness of a talk. The thought content must be thoroughly settled in advance. Verbal formulation of the first and the last sentences. Our thought preparation affects the will; our enthusiasm the thinking of the listener.

LECTURE 2
Historical viewpoints concerning the threefold order and the development of speech. Beautiful speaking, correct speaking, and good speaking. Humanism and pragmatism. The need for developing a true ethics of speaking.

LECTURE 3
Letting experiences flow into the composition of the lecture. Only the proletarian has concepts about the three areas of the social organism.

LECTURE 4
Pedantic lecturers upset the listeners' stomachs. Learn lecturing by listening: watch how others do it, good or bad. Reluctance to speak is the virtue, not eagerness to hear one's own voice. A debater turns his opponent's image and word against him. Jokers create too much acidity in the listeners' stomachs. Words precede deeds.

LECTURE 5
Lyrical speaking for spiritual life; dramatic speaking for rights-relationships; epic speaking for economic conditions. About economic life within the social organism. The formulation of key sentences. Speech exercises and speech gymnastics; the effect of coffee and tea upon the speaker; respect for the audience through proper preparation.

LECTURE 6
Repetition in varied formulations helps the listener to comprehend. The use of questions gives the audience a moment to breathe in. Logical trains of thought put the audience to sleep. Unusual formulations and word order keep the listeners attentive. Illustrations and pictures convince and are remembered. The audience listens with the speech organs. The speaker must be fully immersed in his topic. He must have thorough knowledge of the events of the time. The movement for the threefold social order cannot be separated form anthroposophy. 

Introduction

Lecturing is an art that requires command of many technical aspects. The novice tells all he knows, or worse — what he has read about a subject. He either bores or overwhelms the listeners with his flow of information. The master knows his audience and calls forth wonder and insight. How is it done?
In 1921, to provide prospective lecturers with some guidance, Rudolf Steiner gave two courses on the art of lecturing: one in Stuttgart and the one published here, in Dornach. The illustrative material — needed in all lecturing — was taken from the theme and purpose of these lectures: speaking on the need for a threefold social organism. The Swiss political and social situation at that time was relevant to the audience of about fifty Swiss members of the Anthroposophical Society.
These lectures were not intended for publication and were printed only fifty years later, in 1971. They were translated into English for the Newsletter of the Anthroposophical Society and serialized in nine issues, Autumn 1976 to Winter 1978.
To make this valuable text available at an affordable price, Mercury Press has printed 1,000 copies, using mostly the original pages of the Newsletter. The illustrative material of the Swiss scene of 1921 (in lectures three and four) omitted earlier, ahs been added for the sake of completion, thanks to Maria St. Goar who also translated most of the other text. A new paste-up, combining old and newly typeset material, resulted in some type variation, which the grateful reader — aware of the devotion that has gone into making this translation available — will surely forgive.

Summer 1983

Gisela O'Neil,

editor of the Newsletter of the Anthroposophical Society in America

Lecture I October 11, 1921

I am of the opinion, that, in this course we are now starting, it is [a qaestion of] a discussion of what is necessary in order really to connect one's self responsibly with the movement of Anthroposophy and the Threefold Idea. The course will therefore not be arranged for lecturers in general, but as a kind of orientation course for the personalities, who have made it their task to work in the direction indicated.

Personalities who receive what can come from Anthroposophy simply as a kind of information will not get much from this course.

Indeed, at present, we definitely need activity within our movement. It seems to be difficult to kindle this activity. It seems difficult to spread the insight that this activity is really necessary in our time.

Hence, it will not be a matter of a formal course in lecturing, but rather, of just those things which are necessary for someone who would like to accomplish a quite definite task, I mean the one just indicated.

On the whole, the Anthroposophical Movement has no use for general talk. Indeed, this is exactly the mark of our present culture and civilization that there is general talk around things — that people do not pick up concrete tasks — that they have, by preference, interest for talking in general terms.

Hence, I do not intend to treat the things in this course, (which I shall discuss as regards content), in such a way that they might serve as information. But I shall try to treat these things so — and this must indeed be the case in such an orientation course because it is intended as the very basis for a definite task — so that they can then link up directly with the spoken word. And I shall treat this spoken word so as to take into consideration, that he who sets himself the task of delivering a lecture for Anthroposophy is perhaps not working under conditions in which interest is already present, but is working to awaken interest by the first few lectures. Thus, I should like to shape this course in this quite concrete sense.

And, even the large points of view which I shall discuss today are to be meant entirely in this quite concrete sense. One would be reporting what is incorrect if — as is so popular nowadays — one set down what I shall say both today and in the next days as abstract sentences.

Today I intend to speak of certain set of rules.

Whenever through a lecture one sets out upon the task of bringing something near to one's fellow man, a responseful interchange will naturally take place between the person who has something to communicate, something to work for, something to be enthusiastic about, and the persons who listen to him. An interplay of soul-forces occurs. And to this interplay of soul-forces we propose at first to turn our attention.

These soul-forces live, as you know, in thinking, feeling and willing. And never is just a single soul-force in abstract form active by itself. But, into each soul-force the other soul-forces play, so that when we think, there are also feeling and willing always active in our thinking, likewise in our feeling, thinking and willing, and again in willing, thinking and feeling.

But still, one cannot consider the soul life — both by itself and in its responseful interchange between people — save from the point of view of this tending on the one side to thinking, and on the other to willing. And so, in the sense of our task today, we must know the following:

What we think interests nobody else, and whoever believes that his thoughts — insofar as they are thoughts — interest any other person, will not be able to put himself to the task of lecturing. (We intend to speak more precisely about these things.) The willing to which we would like to fire a gathering, or even one other person, this willing that we wish to put into our lecture, this annoys people, this they instinctively reject.

When one approaches people as a lecturer, then one has to do chiefly with the workings of various instincts: The thinking which one kindles in one's self does not interest people, willing annoys them. This, if some one were called upon for this or that act of will, we would find that we had called up, not his willing, but his annoyance. And if we were to sketch our most beautiful and ingenious ideas in a monologue before people, they would walk out. That must be the fundamental guiding line for the lecturer.

I do not say that this is so when we consider a general conversation among people, a gossip session or the like. For I am not speaking here about how these two are to be treated. Rather am I speaking of what should fill our souls, of what should live in us as proper impulse for lecturing, if the lecture is to have a purpose precisely in the direction I now mean. I am speaking of the guiding line one needs to set one's self: Our thoughts do not interest an audience — our will annoys every audience.

Now, we must take a further matter into consideration: When someone lectures, the fact is that he lectures for the most part not only out of his own being, but out of all kinds of situations. For instance, he lectures on some affair that has perhaps for weeks been discussed by, or described to many of the people who will be listening to him. He then naturally meets with quite a different interest than he does if his first sentences touch on something that, until now, had not occupied his hearers in the slightest. When someone lectures here in the Goetheanum, it is naturally something quite different from what it is when one lecturesat a hotel in Kalamazoo. I mean, even setting aside the fact, that in the Goetheanum one is likely to lecture to people who have for some time occupied themselves with the material, have read or heard about it, whereas this is probably not the case in Kalamazoo. I mean the whole surroundings: The fact that one comes to a building such as the Goetheanum makes it possible to turn to the public in quite another manner than is possible when one lectures at a hotel in Kalamazoo. And so there are countless circumstances out of which one lectures which must always be considered.

This however, establishes the necessity, especially in our time, to take one's lead somewhat from what should not be to what should be. Let us take an extreme case. A typical, average professor was supposed to give a lecture. At first he deals with his thoughts about the object, and, if he is a typical, average professor, he also deals with the conviction, that these thoughts which he thinks, are on the whole, the very best in the world on the subject in question. Everything else has at first no interest for him. — He writes these thoughts down. — And of course, when he commits these thoughts to paper, then they become fixed. He then sticks this manuscript into his left side pocket, goes off, unconcerned as to whether it is to the Goetheanum or to the hotel in Kalamazoo, finds a lecturer's desk that is set up in a suitable way, at the right distance for his eyes, lays his manuscript thereon and reads. I do not say that every one does it in this way. But it is a frequent occurrence and a characteristic procedure in our time. And it points to the horror one can have towards lecturing today. It is the type of lecturing for which one should have the greatest aversion.

And, since I have said that our thoughts interest nobody else, and our will annoys everybody, then it seems that it is the feelings upon which lecturing depends, — that an especially significant cultivation of feeling must be basic for lecturing. Hence it becomes of significance, of perhaps remote, yet fundamental significance, that we have acquired this proper aversion for the extreme type of lecture-reading just mentioned.

Once I heard a lecture by the renowned Helmholtz at a rather large meeting that was certainly given in this manner: The manuscript, taken out of the left side pocket and read off. Afterwards a journalist came to me and said: “Why wasn't this lecture printed, a copy slipped into the hand of each one there? And then Helmholtz could have gone about and extended his hand to each one!” The latter would have been more valuable perhaps to the hearers, than the terrible experience of sitting on the hard chairs to which they were condemned in order to have read to them the manuscript, which required more time than it would have taken them to read it themselves. (Most of them would have needed a very long time indeed if they wanted to understand it, but listening for a short time didn't help them at all.)

One must by all means reflect on all these concrete things if one wishes to understand how the art of lecturing can, in all truth and honesty, be striven for.

At the Philosophers' Congress in Bologna the most significant lecture was delivered in the following way: It lay on each chair, three copies, one in each of three languages. One had first to pick them up in order to be able to sit down on the empty chair. And then the lecture was read aloud from the printed copy, requiring somewhat more than an hour. Through such procedure even the most beautiful lecture is no longer a lecture, for understanding gained through reading is something essentially different from the understanding gained through listening. And these things must be considered if one wants to familiarize one's self in a vivid way with such tasks.

Certainly, even a novel can so move us that we shed tears at definite passages. I mean of course, that a good novel can do this only at definite passages, not from the beginning to the end. But what then is really present during reading so that we are carried away by what we read? Whenever we are carried away by what we read, we have to accomplish a certain work that coincides, that is connected very strongly, with the inner side of our humanity. This inner work which we accomplish when we read consists in this, that while we turn our glance to the single letters, we actually carry out what we have learned in the putting together of the letters. Through this activity of looking at the letters, putting them together and thinking about them, we draw forth a meaning. That is a process of receiving which occurs in our ether body and yet strongly engages the physical body in the perceiving.

But all this simply falls away when only listening. This whole activity does not occur when simply listening. Nevertheless, this listening activity is bound up in a definite way with the grasping of a thing. The person is in need of this activity whenever he wishes to grasp a thing. He needs the cooperation of his ether body and in part, even of his physical body. Not only of the sense organ of the ear! Moreover, when listening, he needs a soul life so active that it is not exhausted in the astral body, but brings the ether body to pulsation, and then this ether body also brings the physical body to swing along with it.

That which must take place as activity during reading, must also be developed while listening to a lecture, but — should like to say — in quite another form when listening, because that activity cannot be there in the same way it is for reading. What is called up in reading is transformed feeling, feeling that has been pressed into the ether body and the physical body. This feeling becomes a force. As lecturers we must be in a position to bring up feeling as feeling content, even in the most abstract of lectures.

It is really a fact that our thoughts as such do not interest people, our will impulses annoy everybody, and only our feelings determine the impression, the effect — in a justified sense, of course — of a lecture.

Hence, there arises the most important question. How shall we be able to have something in our lecture which in a sufficiently strong way, will enable the listener to bring forth the needed shade of feeling, the needed permeation with feeling — and yet not press him, lest we hypnotize or suggest.

There cannot be abstract rules by which one learns how to speak with feeling. For, in the person who has hunted in all sorts of manuals for the rules for speaking with feeling, one will notice that his lecturing most surely does not come from his heart, that it stems from quite another place than his heart. And truly, all lectures should come from the heart. Even the most abstract lecture should come from the heart. And that it can! And it is precisely this which we must discuss, how even the most abstract lecture can come from the heart.

We must understand quite clearly what is really stirring in the soul of the listener when he gives us his ear, not perhaps when we tell him something he is eager to hear, but when we expect him to want to listen to our words. Essentially it is indeed always a kind of attack on our fellow men when we fire a lecture at them. And that too is something of which we must be thoroughly aware, that it is an attack on the listeners, when we fire a lecture at them.

Everything which I say — I must ever and again add parenthetically — is to be considered as guide for the lecturer, not as characteristic for social intercourse or the like. Were I to speak in reference to social intercourse, I could naturally not formulate the same sentences. They would be so much foolishness. For, when one speaks concretely, such a sentence as “Our thoughts interest no one” can be either something very clever or very stupid. Everything we say may be foolishness or good sense according to its whole human connection. It depends solely upon the way it is placed into the context. Hence, the lecturer needs quite other things than instructions in the formal art of lecturing.

Thus, it is a matter of recognizing what is really active in the listener. Sympathy and antipathy are active in the listener. These assert themselves more or less unconsciously when we attack the listener with a lecture. Sympathy or antipathy! For our thoughts however, he surely has no sympathy at first. Also not for our will impulses, for that which we, so to speak, want of him, for that to which we want to exhort him.

If we want somehow to approach the art of lecturing, we must have a certain understanding for the listener's sympathy and antipathy toward what we say. Sympathy and antipathy have in reality to do neither with thinking nor with the will, but operate here in the physical world exclusively for the feelings, for what has to do with feeling. A conscious awareness in the listener of sympathy and antipathy has the effect of obstructing the lecturer's approach to him — our awareness of sympathy and antipathy must be of such a kind that it never comes to the consciousness of the listener, especially during the lecture. Working to rouse sympathy and antipathy has the effect of making it seem that we fall over ourselves. Such, approximately, is the effect of a lecture when we want to arouse sympathy and antipathy.

We must have the finest understanding for sympathy and antipathy in the listener. During the lecture however, his sympathy or antipathy should not concern us in the least. All that has an effect upon the sympathy and antipathy, if I may say so, we must bring into the lecture indirectly, beforehand, during the preparation.

Just as little as there can be instructions of an abstract kind for painting or sculpting, just so little can there be rules of an abstract kind for lecturing. But, just as one can stimulate the art of painting, so too it is possible to stimulate the art of lecturing. And it is chiefly a matter of taking in full earnestness the things that can be pointed out in this direction.

*    *    *

Guidelines for the preparation of a talk. — The thought content must be thoroughly settled in advance. Verbal formulation of the first and the last sentences. Our thought preparation affects the will; our enthusiasm the thinking of the listeners.

In order to start from an example, let us first take the teacher speaking to children. As far as his speaking is concerned, actually the very least depends upon his genius and wisdom. As to whether we can teach mathematics or geography well, the very, very least will depend upon whether we ourselves are good mathematicians, or good geographers. We can be outstanding geographers, but poor teachers of geography. The intrinsic worth of the teacher, which surely rests in large measure upon his speaking, depends upon what he has previously felt and experienced about the things to be presented, and the kinds of feelings which are again stirred up by the fact that he has a child before him.

Thus it is for example, that Waldorf School pedagogy amounts to knowledge of man, that is of the child — not to a knowledge of the child resulting from abstract psychology, but one that rests upon a fully human comprehension of the child. So far does this comprehension go that through feeling intensified to loving devotion, the teacher manages to experience with the child. Then there results — from this experiencing with the child and from what one has previously felt and experienced in the field in which one has to express something — from all this, there results quite instinctively the manner in which one has to speak and handle the class.

It doesn't serve at all, for instance, in instructing a slow child, to use the wisdom of the world which one has. Wisdom helps one in the case of a dull child, if one acquired the wisdom yesterday and used it in one's preparation. At the moment of instruction of the dull child, one must have the genius to be as slow as the child himself, and just have the presence of mind to remember the way in which one was wise yesterday, during the preparation. One must be able to be slow with the slow child, naughty, at least in feeling, with the naughty child, good with the good child, and so forth. As teacher one must be — I hope that this word will not arouse too great antipathy because it is directed too strongly towards thoughts or will impulses — one must really be a kind of chameleon, if one wishes to instruct rightly.

What many Waldorf teachers have, out of their genius, been able to do to increase discipline has pleased me very much. For example, a teacher is speaking about Jean Paul. The children start writing notes and passing them to each other. This teacher doesn't start reprimanding them; instead, he moves into the situation, and with great patience finds out what it's all about. He then dissolves the threatened disturbance with some instruction on postal affairs. That is more effective than any reminder. The note-writing stops. This result rests naturally upon a concrete grasping of the moment. But of course, one must have the presence of mind. One must know that sympathy and antipathy which one wishes to stir, sit more deeply in the human being than one is accustomed to think.

And so it is extraordinarily important, whenever the teacher has to deal with some chapter in class, that he first of all call up vividly into consciousness during the preparation how he himself approached this chapter when he was the same age as his children are, how he felt then, — not in order to become pedantic, of course, not in order when he treats it on the next day to succeed in feeling again as he once did! No, it is enough when this feeling is brought up during the preparation, when it is experienced in the preparation, and then it is a matter of working on the very next day with the knowledge of man just described.

Thus, also here, in teaching, it is a question of finding within ourselves the possibility of shaping the lecture-material which is part of one's teaching material, out of feeling.

How these things can work we can best become aware of, if we bring also the following before our soul's eye: whenever something of a feeling character is to work into what pulses through our lecture, then naturally we may not speak thoughtlessly, although thoughts do not really interest our listeners, and we may not lecture without will, albeit our will annoys them. We shall very often even want to speak in such a way that what we say goes into the will impulses of the people, that in consequences of our lecture our fellow-men want to do something. But we must not under any circumstances so organize the lecture that we bore the listeners through our thought content and arouse their antipathy through the will impetus we seek to give.

So it is a matter of establishing the thinking for the lecture, completely establishing it, as long as possible before we lecture; that we have beforehand absolutely settled the thought element within ourselves. This has nothing to do with whether we then speak fluently, or whether we speak haltingly. The latter, as we shall see, depends upon quite other circumstances. But what must, to a degree, work unconsciously in the lecture, is connected with our having settled the thought content within ourselves much, much earlier. The thought monologue which should be as lively as possible we must have rehearsed earlier, letting it take form out of the arguments for and against, which we ourselves bring forward during this preparation, anticipating all objections as much as possible.

Through this manner of experiencing our lecture in thoughts beforehand, we take from it the sting it otherwise has for the audience. We are, to a degree, bound to sweeten our lecture by having gone through the sourness of the logical development of the train of thought beforehand, — but, as much as possible in such a way that we do not formulate the lecture word for word. Of course, matters cannot be taken literally, — namely, that we have no idea of how we shall formulate the sentences when we begin to lecture. But the thought content must be settled. To have the verbal formulation ready for the whole lecture is something which can never lead to a really good lecture. For that already comes very near to having written the lecture down, and we need but to imagine that a phonograph instead of us stood there and gave it out automatically. When the lecture is given word for word, from memory, then is the difference between this and a machine that turns it out automatically even smaller than it is between a lecture read from a manuscript and the machine that turns it out automatically. Moreover, if we have formulated a lecture beforehand, so that it is worked out in such a way that it can be spoken by us verbatim, then we are indeed not differentiating ourselves very strongly from a machine by which we have recorded the lecture and then let it be played back. There is not much difference between listening to a lecture that is spoken word for word as it was worked out and reading it oneself, — aside from the fact that in reading one is not continually disturbed by the lecturer, as one is continually when listening to him deliver a lecture that he has memorized.

The thought preparation is experienced in the correct manner when it is carried to the point at which the thoughts have become absolutely part of oneself, and this all well before the lecture. One must be finished with what one would present.

To be sure, there are some exceptions for ordinary lectures which one delivers to an audience until then unknown to one. Whenever, before such an audience, one begins immediately with what one has to a degree worked out meditatively in thoughts, and speaks from the first sentence on under direct inspiration, if I may say so, then one does not do something really good for the listeners. At the beginning of a lecture one must make one's personality somewhat active. At the beginning of a lecture one should not immediately entirely extinguish one's personality, because the vibration of feeling must first be stirred.

Now, it is not necessary to proceed as did, for example, Michael Bernays, Professor of History of German Literature, at one time very famous in certain circles. He once came to Weimar to give a lecture on Goethe's Color Theory, and wanted to form his first sentences in such a way that certainly the feeling of the listeners would be engaged very, very intensively — but, to be sure, it happened quite otherwise than he had intended. He arrived in Weimar several days before the lecture. Weimar is a small city where one can go about among the people, (some of whom will be in the hall), and make propaganda for one's lecture. Those who hear about the lecture directly, tell others about it, and the whole hall is really “tuned up” when one delivers one's lecture. Now Prof. Michael Bernays actually went about in Weimar for several days and said: “Oh, I have not been able to prepare myself for this lecture, my genius will surely prompt me correctly at the right moment.” He was to deliver this lecture in the Recreation Hall in Weimar. It was a hot summer day. The windows had to be opened. And, directly in front of this Recreation Hall there was a poultry yard. Michael Bernays took his place and waited for his genius to begin suggesting something to him. For indeed, all Weimar knew that his genius must come and suggest his lecture to him. And then, at this moment, while Bernays was waiting for his genius, the cock outside began: cock-a-doodle-doo! Now every one knew: Michael Bernays' genius has spoken for him! — Feelings were strongly stirred. To be sure, in a different way from what he wanted. But there was a certain atmosphere in the hall.

I do not recount this in order to tell you a neat anecdote, but because I must call your attention to the following: the body of a lecture must have been so formed that it is well worked through meditatively in thoughts, and later formulated freely, — but the introduction is really there for the purpose of making oneself a bit ridiculous. That inclines the listeners to listen to one more willingly. If one does not make oneself a wee bit, ridiculous — to be sure, so that its not too obvious, so that it flows down only into the unconscious — one is unable to hold the attention in the right way when delivering a single lecture. Of course, it should not be exaggerated, but it will surely work sufficiently in the unconscious.

What one should really have for every lecture is this — that one has verbally formulated the first, second, third, fourth, and at most, the fifth sentences. Then one proceeds to the development of the material that has been worked out in the way I have just indicated. And one should have verbally formulated the closing sentences. For, in winding up a lecture, if one is a genuine lecturer, one should really always have some stage fright, a secret anxiety that one will not find one's last sentence. This stage fright is necessary for the coloring of the lecture; one needs this in order to captivate the hearts of the listeners at the end: — that one is anxious about finding the last sentence. Now, if one is to meet this anxiety in the right way, after one has perspiringly completed one's lecture, let one add this to all the rest of the preparation, that one bear in mind the exact formulation of the last one, two, three, four — at most, five — sentences. Thus, a lecture should really have a frame: The formulation of the first and last sentences. And, in between, the lecture should be free. As mentioned, I give this as a guiding principle.

And now perhaps, many of you will say: yes, but if one is not able to lecture just that way? One need not therefore immediately say that it would be so difficult, that one should not lecture at all. It is indeed quite natural that one can lecture a bit better or a bit worse, just so long as one does not let oneself be deterred from lecturing because of all these requirements: but one should make an effort to fulfill these requirements, at the same time as one makes such guiding principles as we develop here pervade all that he strives to do.

And there is indeed a very good means for becoming at least a bearable lecturer, even if at first one is no lecturer, even the opposite of a lecturer. I can assure you that when the lecturer has made himself ridiculous fifty times, that his lecture will come out right the fifty-first time. Just because he made himself ridiculous fifty times. And he for whom fifty times do not suffice, can undertake to lecture a hundred times. For one day it comes right, if one does not shy away from public exposure. One's last lecture before dying will naturally never be good if one has previously shied away from public exposure. But, at least the last lecture before one's death will be good if one has previously, during life, made oneself ridiculous an x number of times. This is also something about which one should really always think. And one will thus surely, without doubt, train oneself to be a lecturer! To be a lecturer requires only that people listen to one, and that one come not too close to them, so to speak; that one really avoid anything that comes too close to the people.

The manner in which one is accustomed to talk in social life when conversing with other people, that one will not find fitting to use when delivering a lecture in public, or generally speaking, to an audience. At most, one will be able to insert sentences such as one speaks in ordinary life only now and then. It is well to be aware that what one has as formulation of one's speaking in ordinary life, is, as a rule, somewhat too subtle or too blunt for a lecture to an audience. It just does not set quite right. The way in which one formulates one's words in the usual speaking, when addressing another person, varies; it always swings between being somewhat crude and, on the other hand, somewhat untruthful or impolite. Both must be entirely avoided in a lecture delivered to an audience, and, if used, then only in parenthesis, so to speak. Otherwise the listener has the secret feeling: while the lecturer begins to speak as one does in a lecture, suddenly he starts declaiming, or speaking dialoguewise, — he must intend either to offend us a bit or to flatter us.

We must also bring the will element into the lecture in the right way. And this can only be accomplished by the preparation, but by such preparation as uses one's own enthusiasm in thinking through the material, enthusiasm which to a certain extent lives with the material.

Now consider the following: first one has completed the thought content, made it one's own. The next part of the preparation would be to listen, so to speak, to oneself inwardly lecturing on this thought content. One begins to listen attentively to these thoughts. They need not be formulated verbatim, as I have already said, but one begins to listen to them. It is this which puts the will element into the right position, this listening to oneself. For while we listen to ourselves inwardly, we develop enthusiasm or aversion, sympathy or antipathy at the right places, as these responses follow what we wish to impart. What we prepare in this will-like way also goes into our wills, and appears during our lecturing in tone variation. Whether we speak intensively or more softly, whether we accentuate brightly or darkly, this we do solely as the result of the feeling-through and willing-through of our thought content in the meditative preparation.

All the thought content we must gradually lead over into the forming of a picture of the composition of our lecture. Then will the thinking be embedded in the lecture, — not in the words, but between the words: in the way in which the words are shaped. the sentences are shaped, and the arrangement is shaped. The more we are in a position to think about the how' of our lecture, the more strongly do we work into the will of the others. What people will accept depends upon what we put into the formulation, into the composition of the lecture.

Were we to come to them and say: “When all is said, every one of you who does not do his utmost in order to realize the Threefold Order tomorrow is a bad fellow” — that would annoy people. However, when we present the sense of the Threefold Order in a lecture that is composed in accordance with the nature of its content, that it is inwardly organized so that it is itself even a kind of intimate 'threefolding', and especially even if it is so fashioned that we ourselves are convinced of the necessity for the Threefold Order, convinced with all our feeling and all our will impulses — then this works upon the people, works upon the will of the people.

What we have done in the way of developing our thoughts, in order to make our lecture into a work of art, this affects the will of the people. What springs from our own will, what we ourselves want, what fills us with enthusiasm, what enraptures us, this affects more the thinking of the listeners, this stimulates them more easily in their thoughts.

Thus it is that a lecturer who is enthusiastic about his subject is easily understood. A lecturer who composes artistically will more easily stir the will of his listeners. But the main principle, the chief guide line must still be this: That we deliver no lecture that is not well prepared.

Yes, but when we are compelled to deliver a lecture on the so-called spur of the moment: when, for example, we are challenged and have to answer immediately; then we certainly cannot turn back in time to the preceding day when we brought the argument to mind, in order to meditate on its counter-argument — that cannot be done! And yet, it can be done! It can be done in just such a moment by being absolutely truthful. Or we are attacked by a person who accosts us in a terribly rude manner, so that we must answer him immediately. Here we have a strong feeling-fact at the outset! Thus, the feeling is already stirred in a corresponding way. Here is a substitute for what we otherwise use in order to experience with enthusiasm what we first represent to ourselves in thought. But then, if we say nothing else in such a moment except that we as whole man can say at each moment when we are attacked in this manner, then we are nevertheless prepared in a similar way in this situation too.

Just in such things it is a question of the unwavering decision to be only, only, only truthful and when the attack is not such that we are challenged to a discussion, then there are present, as a rule, all the conditions for understanding. ( About this I shall speak later.) It is then actually a question not of delivering mere lectures, but of doing something quite different, which will be particularly important for us if we wish to complete this course rightly. For indeed, in order to be active in the sense that I indicated today at the beginning, we shall have not merely to deliver lectures, but every man of us, and of course every woman, will also have to stand his ground in the discussion period, come what may. And about this, much will have to be said, in fact, very much.

Now I beg you above all, to look at what I have said today from the point of view that it indicates perhaps a bit the difficulty of acquiring the art of lecturing. But it is quite especially difficult when it is necessary not only to lecture, but even to have to lecture about lecturing. Just think if one were to paint painting, and sculpture sculpturing!

Thus, the task is not altogether easy. But we shall nevertheless try in some way to complete it within the next days.

Lecture II October 12, 1921

When we set out today to speak about Anthroposophy and the Threefold Movement with its various consequences — which indeed arise out of Anthroposophy, and must really be thought of as arising out of it, — then we must first of all hold before our souls that it is difficult to make oneself understood. And, without this feeling — that it is difficult to make oneself understood — we shall hardly be able to succeed as lecturers for anthroposophical Spiritual Science and all that is connected with it, in a way satisfying to ourselves. For if there is to be speaking about Anthroposophy which is appropriate, then this speaking must be entirely different from what one is accustomed to in accordance with the traditions of speaking. One has often fallen into the habit of speaking also about anthroposophical matters in the way one has become used to speaking in the age of materialism; but one is more apt thereby to obstruct the understanding for Anthroposophy, rather than to open up an approach to it.

We shall first of all have to make quite clear to ourselves what the content of the matter is that comes towards us in Anthroposophy and its consequences. And in these lectures I shall deal as I said yesterday, with the practice of lecturing, but only for anthroposophical and related matters, so that what I have to say applies only to these.

We must now make clear to ourselves that primarily it is the feeling for the central issue of the threefold order that must at first be stirred in our present humanity. It must after all be assumed that an audience of today does not begin to know what to do with the concept of the threefold order. Our speaking must slowly lead to the imparting first of a feeling for this threefold order in the audience.

During the time in which materialism has held sway, one has become accustomed to give expression to the things of the outer world through description. In this one had a kind of guidance in the outer world itself. Moreover, objects in the outer world are, I would say, too fixed for one to believe that, in the end, it makes much difference how one speaks about the things of the outer world; one need only give people some guidance on the way for perceiving this outer world. Then, in the end it comes to this: if, let us say, one delivers somewhere a popular lecture with experiments, and thereby demonstrates to people how this or that substance reacts in a retort, then they see how the substance reacts in the retort. And whether one then lectures this way or that way — a bit better, a bit less well, a hit more relevantly, a hit less relevantly — in the end makes no difference. And gradually it has tended to come to the point that such lectures and such talks are attended in order to see the experimenting, and what is spoken is just taken along as a kind of more or less agreeable or disagreeable side noise. One must express these things somewhat radically, just in order to show the exact direction in which civilization is moving in regard to these things.

When it is a matter of what to stimulate in people for doing, for willing, one is of the opinion that one must just “set up ideals”. People would have to accustom themselves to “apprehend ideals”, and thus one gradually glides more and more over into the utopian, when it. is a matter of such things as the threefold order of the social organism.

So it has also happened in many an instance that many people who lecture about the threefold idea today absolutely call forth the opinion, through the manner in which they speak, that it is some utopia or other that should be striven for. And, since one is always of the opinion that what should be striven for in most cases cannot be expected to come in less than fifty or a hundred years — or many extend the time even further — so one also allows oneself, quite unconsciously, to approach speaking about things as if they would first ripen in fifty or a hundred years. One glides away from the reality very soon, and then talks about it thus: How will a small shop be set up in the threefold social organism? What will he the relation of the single person to the sewing machine in the threefold social organism? — and so on. Such questions are really put in abundance to any endeavor such as the threefolding of the social organism. As regards such an endeavor, which with all of its roots comes out of reality, one should not at all speak in this utopian fashion. For one should always evoke at least this feeling: the threefold order of the social organism is nothing which can be "made" in the sense that state constitutions can be made in a parliament — of the kind for example, that the Weimar National Assembly was. These are made! But one cannot speak in the same sense of making the threefold social organism.

Just as little can one speak of "organizing" in order to produce the threefold order. That which is an organism, this one does not organize; this grows. It is just in the nature of an organism that one does not have to organize it, that it organizes itself. That which can be organized is no organism. We must approach things from the start with these feelings, otherwise we shall not have the possibility of finding the appropriate expression.

The threefold order is something which indeed simply follows from the natural living together of people. One can falsify this natural living together of people — as has been the case, for example, in recent history — by extending the characteristic features of one member, the states-rights member, to both others. Then these two other members will simply become corrupted because they cannot prosper, just as someone cannot get on well in an unsuitable garment, that is too heavy, or the like.

It is in the natural relation of people that the threefold order of the social organism lives, that the independent spiritual life lives, that the rights or states life, regulated by the people's majority, lives, that the economic life, shaped solely out of itself, also lives. One can put strait jackets on the spiritual life, on the economic life, although one does not need them; but then its own life asserts itself continually nevertheless, and what we then experience outwardly is just this self-assertion. It is hence necessary to show that the threefolding of the social organism is implicit in the very nature of both the human being and the social life.

We see that the spiritual life in Europe was entirely independent and free until the 13th or 14th centuries, when, what was the free, independent spiritual life was first pushed into the universities. In this time you find the founding of the universities, and the universities then in turn slip by and by into the life of state. So that one can say: From about the 13th to the 16th or 17th century, the universities slip into the states-life, and with the universities, also the remaining educational institutions, without people really noticing it. These other institutions simply followed. This we have on the one hand.

On the other hand, until about the same period, we have free economic rule that found its true, middle- European expression in the free economic village communities. As the free spiritual life slipped into the universities, which are localized at first, and which later find shelter in the state, so does that which is the economic organization first receive a certain administration in the “rights” sense, when the cities emerge more and more. Then the cities, in the first place, organize this economic life, while earlier, when the village communities were setting the pace, it had grown freely. And then we see how increasingly, that which was centralized in the cities seeks protection in the larger territories of the states. Thus we see how the tendency of modern times ends in letting the spiritual life on the one hand, the economic life on the other, seek the protection of states which increasingly take on the character of domains constituted according to Roman law. This was actually the development in modern times.

We have reached that point in historical development where things can go no further like this, where a sense and a feeling for free spiritual life must once again be developed. When in a strait jacket, the spirit simply does not advance; because it only apparently advances, hut in truth still remains behind — can never celebrate real births, but at most renaissances. It is just the same with the economic life.

Today we simply stand in the age in which we must absolutely reverse the movement which has developed in the civilized world of Europe with its American annex, the age in which the opposite direction must set in. For what has gone on developing for a time must reach a point at which something new must set in. Otherwise one runs into the danger of doing as one would when, with a growing plant, one were to say it should not be allowed to come to fruition, it should grow further, it should keep blooming on and on. — Then it would grow thus: bring forth a flower; then no seed, but again a flower, again a flower, and so on. Therefore it is absolutely necessary to familiarize oneself inwardly with these things. and to develop a feeling for the historical turning point at which we stand today.

But, just as in an organism every detail is necessarily formed as it is, so is everything in the world in which we live and which we help to shape, to he formed as it must be in its place in the sense of the whole. You cannot imagine, if you think realistically, that your ear lobe could be formed the very least bit differently from what it is, in conformity with your whole organism. Were your ear lobe only the least bit differently formed, then you would also have to have quite a different nose, different fingertips, and so forth. And just as the ear lobe is formed in the sense of the whole human being, so must also the lecture in which something flows be given — in the sense of the whole subject — that lecturing which is truly taking on new forms.

Such a lecture cannot be delivered in the manner which one could perhaps learn from the sermon- lecture. For the sermon-lecture as we still have it today, rests on the tradition which really goes back to the old Orient, — on a special attitude which the whole human being in the old Orient had toward speech. This characteristic was continued, so that it lived in a certain free way in Greece, lived in Rome, and shows its last spark most clearly in the particular relationship which the Frenchman has to his language. Not that I want to imply that every Frenchman preaches when he speaks; but a similar relationship, such as had to develop out of the oriental relationship to language still continues to live on in a definite way in the French handling of speech, only entirely in a declining movement.

This element which we can observe here in regard to language came to expression when one still learned speaking from the professors, as one could later, but now in the declining phase — professors who really continued to live on as mummies of ancient times and bore the title, “professor of elocution”. In former times, at almost every university, in every school, also in seminaries and so on there was such a professor of elocution, of rhetoric. The renowned Curtius [Note 1] of Berlin actually still bore the title “professor of elocution” officially. But the whole affair became too dull for him, and he did not lecture on elocution, but only demonstrated himself as a professor of elocution through being sent out by the faculty council on ceremonial occasions, since that was always the task of the professor of elocution. Nevertheless, in this Curtius made it his business to discharge his duties at such ceremonial occasions by paying as little regard as possible to the ancient rules of eloquence. For the rest, it was too dull for him to be a professor of elocution in times in which professors of elocution did not fit in any more, and he lectured on art history, on the history of Greek art. But in the university catalog he was listed as “professor of elocution”. This refers us back to an element that was present everywhere in speech in olden times.

Now, when we consider what is quite especially characteristic in the training of speech for the middle European languages, for German, for example, then indeed everything denoted in the original sense by the word “elocution” has not the least meaning. For something flowed into these languages that is entirely different from that which was peculiar to speaking in the times when elocution had to be taken seriously. In the Greek and Latin languages there is elocution. In the German language elocution is something quite impossible, when one looks inwardly at the essential.

Today, however, we are living definitely in a time of transition. That which was the speech element of the German language cannot continue to be used. Every attempt must be made to come out of this speech element and to come into a different speech element. This also is the task, in a certain sense, to be solved by him who would speak productively about Anthroposophy or the threefold idea. For only when a fairly large number of people are able to speak in this way, will Anthroposophy and the threefold idea be rightly understood in public, even in single lectures. Meanwhile, there are not a few who develop only a pseudo-understanding and pseudo-avowal for these.

If we look back on the special element in regard to speaking which was present in the times out of which the handling of elocution was preserved, we must say: then it was as if language grew out of the human being in quite a naive way, as his fingers grow, as his second teeth grow. From the imitation process speaking resulted, and language with its whole organization. And only after one had language did one come to the use of thinking.

And now it transpired that the human being when speaking to others about any problem had to s:v that the inner experience, the thought experience, to a certain extent clicked [einschnappte] into the language. The sentence structure was there. It was in a certain way elastic and flexible. And, more inward than the language was the thought element. One experienced the thought element as something more inward than the language, and let it click into the language, so that it fitted into it just as one fits the idea of a statue or the like into marble. It was entirely an artistic treatment of the language. Even the way in which one was meant to speak in prose had something similar to the way in which one was to express oneself in poetry. Rhetoric and elocution had rules which were not at all unlike the rules of poetic expression. (So as not to be misunderstood, I should like to insert here that the development of language does not exclude poetry. What I now say, I say for older arts of expression, and I beg you not to interpret it as if I wanted to assert that there can be no more poetry at all today. We need but treat the language differently in poetry. But that does not belong here; I wanted to insert this only in parenthesis, that I might not be misunderstood.)

And when we now ask: How was one then supposed to speak in the time in which the thought and feeling content clicked into the language? One was supposed to speak beautifully! That was the first task: to speak beautifully. Hence, one can really only learn to speak beautifully today when one immerses oneself in the old way of speaking. There was beautiful speaking. And speaking beautifully is definitely a gift which comes to man from the Orient. It might be said: There was speaking beautifully to the point that one really regarded singing, the singing of language, as the ideal of speaking. Preaching is only a form of beautiful speaking stripped of much of the beautiful speaking. For, wholely beautiful speaking is cultic speaking. When cultic speaking pours itself into a sermon, then much is lost. But still, the sermon is a daughter of the beautiful speaking found in the cult.

The second form which has come into evidence, especially in German and in similar languages, is that in which it is no longer possible to distinguish properly between the word and the grasping of the thought conveyed — the word and the thought experience; the word has become abstract, so that it exempts itself, like a kind of thought. It is the element where the understanding for language itself is stripped off. It can no longer have something click into it, because one feels at the very outset that what is to be clicked in and the word vehicle into which something is to click are one.

For who today is clear, for example in German, when he writes down “Begriff” [concept], that this is the noun form of begreifen [to grasp; to comprehend] be-greifen (greifen with a prefix) is thus das Greifen an etwas ausfuehren [the carrying out of the grasping of something] — that “Begriff” is thus nothing other than the noun form for objective perceiving? The concept “Begriff” was formed at a time when there was still a living perception of the ether body, which grasps things. Therefore one could then truly form the concept of Begriff, because grasping with the physical body is merely an image of grasping with the ether body.

But, in order to hear Begreifen in the word Begriff it is necessary to feel speech as an organism of one's own. In the element of speaking which I am now giving an account of, language and concept always swim through one another. There is not at all that sharp separation which was once present in the Orient, where the language was an organism, was more external, and that which declared itself lived inwardly. What lived inwardly had to click into the linguistic form in speaking; that is, click in so that what lives inwardly is the content, and that into which it clicked was the outer form. And this clicking-in had to happen in the sense of the beautiful, so that one was thus a true speech artist when one wanted to speak.

This is no longer the case when, for example, one has no feeling any more for differentiating between Gehen [to go] and Laufen [to run] in relation to language as such. Gehen: two e's — one walks thither without straining oneself thereby; e is always the feeling expression for the slight participation one has in one's own activity. If there is an au in the word, this participation is enhanced. From running (Laufen) comes panting (Schnaufen) which has the same vowel sound in it. With this one's insides come into tumult. There must be a sound there that intimates this modification of the inner being. But all this is indeed no longer there today; language has become abstract. It is like our onward-flowing thoughts themselves — for the whole middle region, and especially also for the western region of civilization.

It is possible to behold a picture, an imagination in every single word; and one can live in this picture as in something relatively objective. He who faced language in earlier times considered it as something objective into which the subjective was poured. He would as little not have regarded it so, as he would have lost sight of the fact that his coat is something objective, and is not grown together with his body as another skin.

As against this, the second stage of language takes the whole organism of language as another son' skin, whereas formerly language was much more loosely there, I should like to say, like a garment. I am speaking now of the stage of language in which speaking beautifully is no longer taken into first consideration, but rather speaking correctly. In this it is not a question of rhetoric and elocution, but of logic. With this stage, which has come up slowly since Aristotle's time, grammar itself became logical to the point that the logical forms were simply developed out of the grammatical forms — one abstracted the logical from the grammatical. Here all has swum together: thought and word. The sentence is that out of which one evolves the judgment. But the judgment is in truth so laid into the sentence that one no longer experiences it as inherently independent. Correct speaking, this has become the criterion.

Further, we see a new element in speaking arising, only used everywhere at the wrong point — carried over to a quite wrong domain. Beautiful speaking humanity owes to the Orient. Correct speaking lies in the middle region of civilization. And we must look to the West when seeking the third element.

But in the West it arises first of all quite corrupted. How does it arise? Well, in the first place, language has become abstract. That which is the word organism is already almost thought-organism. And this has gradually increased so much in the West, that there it would perhaps even be regarded as facetious to discuss such things. But, in a completely wrong domain, the advance already exists.

*    *    *

Humanism and pragmatism. The need for developing a true ethics of speaking.

You see, in America, just in the last third of the 19th century, a philosophical trend called “pragmatism” has appeared. In England it has been called “humanism.” James [Note 2] is its representative in America, Schiller [Note 3] in England. Then there are personalities who have already gone about extending these things somewhat. The merit of extending this concept of humanism in a very beautiful sense is due to Professor MacKenzie [Note 4] who was recently here.

To what do these endeavors lead? — I mean now, American pragmatism and English humanism. They arise from a complete skepticism about cognition: Truth is something that really doesn't exist! When we make two assertions, we actually make them fundamentally in order to have guide-points in life. To speak about an “atom” — one cannot raise any particular ground of truth for it; but it is useful to take the atom theory as a basis in chemistry; thus we set up the atom concept! It is serviceable, it is useful. There is no truth other than that which lives in useful, life-serviceable concepts. “God,” if he exists or not, this is not the question. Truth, that is something or other which is of no concern to us. But it is hard to live pleasantly if one does not set up the concept of God; it is really good to live, if one lives as if there were a God. So, let us set it up, because it's a serviceable, useful concept for life. Whether the earth began according to the Kant-Laplace theory and will end according to the mechanical warmth theory, from the standpoint of truth, no human being knows anything about this — I am now just simply reporting — , but it is useful for our thinking to represent the beginning and end of the earth in this way. This is the pragmatic teaching of James, and also in essence,the humanistic teaching of Schiller. Finally, it is also not known at all whether the human being now, proceeding from the standpoint of truth, really has a soul. That could be discussed to the end of the world, whether there is a soul or not, but it is useful to assume a soul if one wants to comprehend all that the human being carries out in life.

Of course, everything that appears today in our civilization in one place spreads to other places. For such things which arose instinctively in the West, the German had to find something more conceptual, that permits of being more easily seen through conceptually; and from this the “As If” philosophy originated: whether there is an atom or not is not the question; we consider the phenomena in such a way “as if” there was an atom. Whether the good can realize itself or not, cannot be decided; we consider life in such a way “as if” the good could realize itself. One could indeed quarrel to the end of the world about whether or not there is a God: but we consider life in such a way that we act “as if” there were a God. There you have the “As If” philosophy.

One pays little attention to these things because one imagines: there in America James sits with his pupils, there in England Schiller sits with his pupils; there is Vaihinger, who wrote the “As If” philosophy: there are a few owls who live in a kind of cloud-castle, and of what concern is it to other people!

Whoever has the ear for it, however, already hears the “As If” philosophy sounding everywhere today. Almost all human beings talk in the sense of the “As If” philosophy. The philosophers are only quite funny fellows. They always blab out what other people do unconsciously. If one is sufficiently unprejudiced for it, then one only seldom hears a human being today who still uses his words differently, in connection with his heart and with his whole soul, with his whole human being, who speaks differently than as though the matter were as he expresses it. One only does not usually have the ear to hear within the sound and the tone-color of the speaking that this “As If” lives in it, — that fundamentally people over the whole of civilization are seized by this “As If.”

Whereas things usually come to be corrupted at the end, here something shows itself to be corrupted at the beginning, something that in a higher sense must be developed for handling of speech in Anthroposophy, in the threefold order and so on. These things are so earnest, so important, that we really should speak specially about them. For it will he a question of elevating the triviality, "We need concepts because they are useful for life," this triviality of a materialistic, utilitarian theory, of raising it up to the ethical, and perhaps through the ethical to the religious. For, if we want to work in the sense of Anthroposophy and the threefold order, we have before us the task of learning good speaking, in. addition to the beautiful speaking and the correct speaking which we can acquire from history. We must maintain an ear for good speaking.

Until now, I have seen little sign that it has been noticed, when, in the course of my lectures I have called attention to this good speaking — I have done it very frequently. In referring to this good speaking I have always said that it is not only a question today that what is said be correct in the logical-abstract sense, but it is a matter of saying something in a certain connection or omitting it, not saying it in this connection. It is a question of developing a feeling that something should not only be correct, but that it is justified within its connection — that it can be either good in a certain connection or bad in a certain connection. Beyond rhetoric, beyond logic, we must learn a true ethics of speaking. We must know how we may allow ourselves things in a certain connection that would not be at all permitted in another connection.

Here I may now use an example close to hand, that could perhaps have already struck some of you who were present lately at the lectures: I spoke in a certain connection of the fact that, in reality, Goethe was not born at all. I said that Goethe for a long time endeavored to express himself through painting, through drawing, but that nothing came about from it. It then flowed over into his poetic works, and then again in the poetic works, as for example Iphigenia, or especially in Naturliche Tochter [“Daughters of Nature”], we have indeed poetic works not at all in the sentimental sense. People called these poems of Goethe's “marble smooth and marble cold,” because they are almost sculptural, because they are three-dimensional. Goethe had genuine capacities which really did not become human at all; he was actually not born. — You see, in that connection in which I spoke lately, one could quite certainly say it. But imagine, if someone were to represent it as a thesis in itself in the absolute sense! It would be not only illogical, it would he of course quite crazy.

To speak out of an awareness of a life connection is something different from finding the adequate or correct use of a word association for the thought and feeling involved. To let a pronouncement or the like arise at a particular place out of a living relationship, that is what leads over from beauty, from correctness, to the ethos of language — at which one feels, when a sentence is uttered, whether one may or may not say it in the whole context. But now, there is again an inward growing together, not with language, but with speaking. This is what I should like to call good speaking or had speaking; the third form. Aside from beautiful or ugly speaking, aside from correct or incorrect speaking, comes good or bad speaking, in the sense in which I have just presented it.

Today the view is still widespread that there can be sentences which one forms and which can then be spoken on any occasion, because they have absolute validity. In reality, for our life in the present, there are no longer such sentences. Every sentence that is possible in a certain connection, is today impossible in another connection. That means, we have entered upon an epoch of humanity's development in which we need to direct our view to this many-sidedness of living situations.

The Oriental who with his whole thinking lived within a small territory, also the Greek still, who with his spiritual life, with his rights life, with his economic life, lived on a small territory, poured something into his language that appears as a linguistic work of art must appear. How is it though in a work of art? It is such that a single finite object really appears infinite in a certain realm. In this way beauty was even defined, though one-sidedly, by Haeckel, Darwin and others: It is the appearance of the idea in a self-contained picture. — The first thing which I had to oppose in my Vienna lecture on “Goethe as the Father of a New Aesthetics,” was that the beautiful is “the appearance of the idea in outer form.” I showed then that one must mean just the reverse: that the beautiful arises when one gives to form the appearance of the infinite.

And so it is with language, which in a certain way also acts as a limited territory — as a territory which encloses the possible meaning within boundaries. If that which is actually infinite in the inner soul- and spirit-life is to click into this language, it must there come to expression in beautiful form.

In correct speaking the language must he adequate; the sentence must fit the judgment, the concept, the word. The Romans were compelled to this, especially as their territory became ever larger and larger; their language transformed itself from the beautiful into the logical. Hence the custom has been retained, of conveying logic to people precisely in the Latin language. (You have indeed learned logic quite well by it.)

But we are now once again beyond this stage. Now, it is necessary that we learn to experience language with ethos — that, to a certain extent we gain a kind of morality of speaking in our lecturing, while we know that we have in a certain context to allow ourselves something or to deny ourselves something. There, things do not click-in, in the way I described earlier, but here we make use of the word to characterize. All defining ceases; here we use the word to characterize. The word is so handled that one really feels each word as something insufficient. every sentence as something insufficient, and has the urge to characterize that which one wishes to place before humanity from the most varied aspects — to go around the matter to a certain extent, and to characterize it from the most varied aspects.

You see, for free spiritual life — that is to say spiritual life that exists out of its own laws — there is as yet not very much understanding in present-day humanity. For, mostly what is understood by free spiritual life is a structure in which people live, where each one crows his own cock-a-doodle-doo from his own dung heap — excuse the somewhat remarkable picture — and in which the most incredible consonances come about from the crowing. In reality, in free spiritual life, harmony comes about through and through, because the spirit, not the single egoists, lives — because the spirit can really lead its own life over and above the single egoists.

There is, for example, — one must already say these things today — a Waldorf School spirit definitely there for our Waldorf School in Stuttgart that is independent of the body of teachers, — into which the body of teachers grows, and in which it becomes ever more and more clear that possibly the one can be more capable or less capable, but the spirit has a life of its own.

It is an abstraction, which people today still represent to themselves, when they speak of “free spirit.” This is no reality at all. The free spirit is something that really lives among people — one must only let it come into existence; and what works among people — one must only let it come into existence.

What I have said to you today I have also said only so that what we are meant to gain here may proceed from fundamental feelings, from the feeling for the earnestness of the matter. I cannot, of course, suppose that every one will now go right out and, as those in olden times spoke beautifully, in the middle period correctly, now all will speak well! But you may not for this reason object: of what help, then, are all our lectures, if we are not at once able to speak in the sense of good speaking? — It is rather a matter of our really getting the feeling of the earnestness of the situation, which we are thus to live into, so that we know: what is wanted here is something in itself so organically whole, that a necessity of form must gradually express itself even in speech, just as a necessity of form expresses itself in the ear-lobe, such as cannot be otherwise depending on how the whole human being is.

Thus I shall try to bring still closer together what is for us the content of Anthroposophy and the threefold order with the way in which it should be presented to people. And, from the consideration of principles I shall come more and more into the concrete, and to that which should underlie the practice of lecturing.

I have often emphasized that this must be Anthroposophy's manner of presenting things. I have often emphasized that one should not indeed believe that one is able to find the adequate word, the adequate sentence; one can only conduct oneself as does a photographer who, in order to show a tree, takes at least four views.

Thus a conception that lives itself out in an abstract trivial philosophy such as pragmatism or humanism, must be raised up into the realm of the ethical. And then it must first of all live in the ethos of language. We must learn good speaking. That means that we must experience as regards speaking something of all that we otherwise experience in relation to ethics, moral philosophy.

After all, the matter has become quite clear in modern times. In the speaking of theosophists we have an archaism simply conditioned through the language — archaic, namely as regards the materialistic coloration of the last centuries: “physical body” — well, it is thick; “ether body” — it is thinner, more nebulous; “astral body” — once again thinner, but still only thinner; “I” — still thinner. Now, new members of the human being keep on coming up: they become even thinner. At last one no longer knows at all how one can reach this thinness, but in any case, it only becomes ever thinner and thinner. One does not escape the materialism. This is indeed also the hallmark of this theosophical literature. And it is always the hallmark that appears, when these things are to be spoken about, from theoretical speaking, to that which I once experienced within the Theosophical Society in Paris, (I believe it was in 1906). A lady there who was a real rock-solid theosophist, wanted to express how well she liked particular lectures which had been given in the hall in which we were; and she said: “There are such good vibrations here!” And one perceived from her that this was really thought of as something which one might sniff. Thus, the scents of the lectures which were left behind and which one could sniff out somehow, these were really meant.

We must learn to tear language away from adequacy. For it can be adequate only for the material. If we wish to use it for the spiritual, in the sense of the present epoch of development of humanity, then we must free it. Freedom must then come into the handling of language. If one does not take these things abstractly, but livingly, then the first thing into which the philosophy of freedom [spiritual activity] must come is in speaking, in the handling of language. For this is necessary; otherwise the transition will not be found, for example, to the characterization of the free spiritual life.

Notes:

Note 1. Ernst Curtius, 1814–1896, archeologist and historian.

Note 2. William James. 1842–1910, American philosopher.

Note 3. F. C. S. Schiller. 1864–1937. Representative of pragmatism in England which he combined with humanism.

Note 4. S. MacKenzie, born 1560. Professor in Cardiff. 

Lecture III (Excerpts) October 13, 1921

Along with the tasks which one can set oneself in a certain realm as a speaker it will be a question at first of entering in the appropriate way into the material itself which is to be dealt with. There is a twofold entering into the material, in so far as the message about this material is concerned in speaking. The first is to convert to one's own use the material for a lecture so that it can be divided up — so that one is as it were placed in the position of giving the lecture a composition. Without composition a talk cannot really be understood. This or that may appeal to the listener about a lecture which is not composed: but in reality a non-composed lecture will not be assimilated. As far as the preparation is concerned, it must therefore be a matter of realizing: every talk will inevitably be poor as regards its reception by the listeners which has merely originated in one's conceiving one statement after the other, one sentence after the other, and going through them to a certain extent, one after the other, in the preparation. If one is not in the position, at least at some stage of the preparation, of surveying the whole lecture as a totality, then one cannot really count on being understood. Allowing the whole lecture to spring, as it were, from a comprehensive thought, which one subdivides, and letting the composition arise by starting out from such a comprehensive thought comprising the total lecture, — this is the first consideration.

The other is the consulting of all experiences which one has available out of immediate life for the subject of the lecture, — that is, calling to mind as much as possible everything one has experienced first-hand about the matter in question, — and, after one has before one a kind of composition of the lecture, endeavoring to let the experiences flow here or there into this composition.

That will in general be the rough draft in preparing. Thus one has during the preparation the whole of the lecture before one as in a tableau. So exactly does one have this tableau before one, that, as will indeed naturally be the case, one can incorporate the single experiences one remembers in the desired way here or there, as though one had written on paper: a, b, c, d. — There is now an experience one knows belongs under d, another under f, another belongs under a, — so that one is to a certain extent independent of the sequence of the thoughts as they are afterwards to be presented, as regards this collecting of the experiences. Whether such a thing is done by putting it onto paper, or whether it is done by a free process without having recourse to the paper, will determine only that he who is dependent upon the paper will speak worse, and he who is not dependent upon the paper will speak somewhat better. But one can of course by all means do both.

But now it is a matter of fulfilling a third requirement, which is: after one has the whole on the one hand — I never say the ‘skeleton’ — and on the other hand the single experiences, one has need of elaborating the ideas which ensue to the point that these things can stand before the soul in the most complete inner satisfaction.

Let us take as an example, that we want to hold a lecture on the threefold order. Here we shall say to ourselves: After an introduction — we shall speak further about this — and before a conclusion — about which we shall also speak — the composition of such a lecture is really given through the subject itself. The unifying thought is given through the subject itself. I say that for this example. If one lives properly, mentally, then this is valid actually for every single case, it is valid equally for everything. But let us take this example near at hand of the threefolding of the social organism, about which we want to speak. There, at the outset, is given that which yields us three members in the treatment of our theme. To deal with, we shall have the nature of the spiritual life, the nature of the juridical-state life, and the nature of the economic life.

Then, certainly, it will be a question of our calling forth in the listeners, by means of a suitable introduction, — about which, as mentioned, we shall speak further — a feeling that it makes sense to speak about these things at all, about a change in these things, in the present. But then it will be a matter of not immediately starting out with explanations of what is to be understood by a free spiritual life, by a juridical-states life founded on equality, by an economic life founded on associations, but rather of having to lead up to these things. And here one will have to lead up through connecting to that which is to hand in the greatest measure as regards the three members of the social organism in the present — what can therefore be observed the most intensively by people of today. Indeed, only by this means will one connect with what is known.

Let us suppose we have an audience, and an audience will be most agreeable and sympathetic which is a mixture of middle-class people, working- class people — in turn with all possible nuances — , and, if there are then of course also a few of the nobility — even Swiss nobility, — it doesn't hurt at all. Let us therefore assume we have such a chequered, jumbled-up audience, made up of all social classes. I stress this for the reason that as a lecturer one should really always sense to whom one has to speak, before one sets about speaking. One ought already to transpose oneself actively into the situation in this way.

Now, what will one have to say to oneself to begin with about that which one can connect with in a present-day audience, as regards the threefold social organism? One will say to oneself: it is extraordinarily difficult in the first place to connect onto concepts of an audience of the bourgeois, because in recent times the bourgeoisie have formed extraordinarily few concepts about social relationships, since they have vegetated thoughtlessly to some extent as regards the social life. It would always make an academic impression, if one wanted to speak about these things today out of the circle of ideas of a middle- class audience. On the other hand, however, one can be clear about the fact that exceptionally distinct concepts exist concerning all three domains of the social organism within the working-class population, — also distinct feelings, and a distinct social volition. And it means that it is nothing short of the sign of our present time, that precisely within the proletariat these qualified concepts are there.

These concepts are to be handled by us, though, with great caution, since we shall very easily call forth the prejudice that we want to be partisan in the proletarian direction. This prejudice we should really combat through the whole manner of our bearing. We shall indeed see that we immediately arouse for ourselves serious misunderstandings if we proceed from proletarian concepts. These misunderstandings have revealed themselves in point of fact constantly in the time when an effect could still be brought about in middle-Europe, from about April 1919 on, for the threefolding of the social organism. A middle-class population hears only that which it, has sensed for decades from the fomenting behavior of the working- class, out of certain concepts. How one views the matter oneself is then hardly comprehended at all.

One must be clear that being active in the world at all in the sense, I should like to say, of the world-order has to be grasped. The world-order is such — you have only to look at the fish in the sea — , that very, very many fisheggs are laid, and only a few become fish. That has to be so. But with this tendency of nature you have also to approach the tasks which are to be solved by you as speakers; even if only very few, and these little stimulated, are to be found to begin with at the first lecture, then actually a maximum is attained as regards what can be attained. It is a matter of things that one stands so within in life, as for instance the threefolding of the social organism, that what can be accomplished by means of lecturing may never be abandoned, but must be taken up and perfected in some way, be it through further lectures, be it in some other way. It can be said: no lecture is really in vain which is given in this sense and to which is joined all that is required.

But one has to be absolutely clear about the fact that one will actually also be completely misunderstood by the proletarian population, if one speaks directly out of that which they think today in the sense of their theories, as these have persisted for decades. One cannot ask oneself the question for instance: How does one do it so as not to be misunderstood? — One must only do it right! But for this reason it cannot be a matter of putting forward the question: Then how does one do it so as not to be misunderstood? — One tells people what they have already thought anyhow! One preaches to them, in some way, Marxism, or some such thing. Then one will, of course, be understood.

But there is nothing of interest in being understood in this way. Otherwise one will indeed very soon have the following experience — concerning this experience one must be quite clear — : if one speaks today to a proletarian gathering so that they can at least understand the terminology — and that must be striven for — , then one will notice particularly in the discussion, that those who discuss have understood nothing. The others one usually doesn't get to know, since they do not participate in the discussions. Those who have understood nothing usually participate after such lectures in the discussions. And with them one will notice something along the following lines. — I have given countless lectures myself on the threefolding of the social organism to, as they are called in Germany, “surplus-value social democrats,” independent “social democrats,” communists and so on. — Now, one will notice: if someone places himself in the discussions and believes himself able to speak then it is usually the case that he answers one as though one had really not spoken at all, but as though someone or other had spoken more or less as one would have spoken as a social-democratic agitator thirty years ago in popular meetings. One feels oneself suddenly quite transformed. One says to oneself roughly the following: Well, can it then be that the misfortune has befallen you, that you were possessed in this moment by old Rebel? [Note 1] That is really how you are confronted! The persons concerned hear even physically nothing else than what they have been used to hearing for decades. Even physically — not merely with the soul — even physically they hear nothing other than what they are long used to. And then they say: Well, the lecturer really told us nothing new! — Since they have, because one was obliged to use the terminology, translated the whole connection of the terminology right-away in the ear — not first in the soul — into that which they have been used to for a long time. And then they talk on and on in the sense of what they have been used to for a long time.

*    *    *

Speaking cannot be learned by means of external instructions. Speaking must be learned to a certain extent by means of understanding how to bring to the lecture the thinking which lies behind it, and the experience which lies before it, in a proper relationship.

Now, I have, today tried to show you how the material first has to be dealt with. I have connected with what is known, in order to show you how the material may not be created out of some theory or other, how it must be drawn out of life, how it must be prepared so as to be dealt with in speaking. What I have said today everyone should now actually do in his own fashion as preparation for lecturing. Through such preparation the lecture gains forcefulness. Through thought preparation — preparing the organization of the lecture, as I have said at the beginning of today's remarks: from a thought which is then formed into a composition — , by this means the lecture becomes lucid, so that the listener can also receive it as a unity. What the lecturer brings along as thinking he should not weave into his own thoughts. — Since, if he gives his own thoughts, they are, as I have already said, such that they interest not a single person. Only through use of one's own thinking in organizing the lecture does it become lucid, and through lucidity, comprehensible.

By means of the experiences which the lecturer should gather from everywhere (the worst experiences are still always better than none at all!) the lecture becomes forceful. If, for example, you tell someone what happened to you, for all it matters, as you were going through a village where someone nearly gave you a box on the ear, then it is still always better if you judge life out of such an experience, than if you merely theorize. — Fetch things out of experience. through which the lecture acquires blood, since through thinking it only has nerves. It acquires blood through experience, and through this blood, which comes out of experience, the lecture becomes forceful. Through the composition you speak to the understanding of the listener; through your experience you speak to the heart of the listener. It is this which should be looked upon as a golden rule. Now, we can proceed step by step. Today I wanted more to show first of all in rough outline how the material can be transformed by degrees into what it afterwards has to be in the lecture. Tomorrow, then, we resume again at three o'clock.

Notes:

Note 1. August Bebel, 1840–1913. Founder in 1869 with Wilhelm Liebknecht of the Social-Democratic Party. 

Lecture IV (Excerpts [Note 1]) October 14, 1921

One has to accustom oneself to speak differently on every soil, if one intends to be active as a lecturer ... Thus, a talk is to be formulated differently, depending on whether it is delivered here in Switzerland, in Germany, or whether at this or that time.

One would, of course, have to speak again quite differently in England or in America. What can be done from here, in Europe, in regard to these two countries, can only be a sort of substitute. It is good, for example, if Die Kernpunkte der sozialen Frage [The Threefold Social Order] is translated, it is good if it is widely distributed; but, as I have said from the beginning, the really proper thing finally would be if the Kernpunkte were written quite differently for America and for England. For both Switzerland and Central Europe, it can be taken quite literally, word for word, the way it stands. But for England and America it would really have to be composed quite differently, because in those countries one addresses people who, first of all, have the opposite attitude of what existed, for instance, in Germany in April of 1919. In Germany the opinion prevailed that something new would have to come, and to begin with it would suffice if one knew what this were. There wasn't the strength to comprehend it, but there was the feeling that what this rational innovation might be, ought to be known. Naturally, in all of England and America not the slightest sense of this exists anywhere. The only concern there is how to secure and save the old. The question is how properly to secure the old. The old values are good! One must not shake the traditional foundations. I am aware, of course, that when anything like this is said, it can be replied: Yes, but there are so many progressive movements in the Western hemisphere! — Still, all these progressive movements, regardless of whether their content is new, are reactionary and conservative in so far as their management is concerned. There, the feeling that things cannot continue the way they have gone until now, must first be called forth.

*    *    *

Things must everywhere be sought out in the concrete.

... I would like to show how an elasticity of concepts for these things [rights relationships] has to be acquired — how one has to point out both sides of a question, — and how one must be able to dispose oneself first, in order to have the necessary fluency to speak in front of people.

There is another reason why a lecturer of today must be aware of such things. Most of the time, he is condemned to speak in the evening, when he wants to present something concerning the future. This means that he has to make use of the time when people really prefer to be either in the concert hall or in the theater. Thus, the lecturer must be absolutely clear that he is speaking to an audience that, according to the mood of the hour, would be better off in the concert hall, the theater, or some other place, — but not in fact down there, where it is supposed to listen, while above, a lecturer talks about things vouchsafed for the future. One must he aware of what one is really doing, down to the last detail.

For, what does one in fact do when addressing an audience such as one is mostly condemned to speak in front of nowadays? Quite literally, one upsets the listener's stomach! A serious speech has the peculiarity of adversely affecting the pepsin, of not allowing the stomach juices to take effect. A serious lecture causes stomach acidity. And only if one is oneself in such a mood that one can present a serious talk, at least inwardly, with the necessary humor, can the stomach juices be assisted again. A lecture has to be presented with a certain inner lightness, — with a certain modulation, with a certain enthusiasm; then one aids the stomach juices. Then one neutralizes what one inflicts on the stomach in the time when we normally have to lecture today. The threefold social order is not being served, but rather stomach specialists, when people speak in all gravity, with heavy expressive manner, pedantically, on three-folding. It must be done with a light touch and matter-of-factness or else one does not further the threefold social order but the stomach specialists. It is just that there are no statistics available on the number of people who have to go to stomach specialists after they have listened to pedantic lectures! If there were statistics on these things, one would be astonished at the percentage among patients of stomach specialists who are eager lecture-goers nowadays.

I must call attention to these things, because the time is drawing near when it must be known how the human being actually lives. — How seriousness affects his stomach, how humor affects his stomach juices; how, let us say for example, wine is like a kind of cynic who doesn't take the whole human organism seriously, but plays with it. If the human organism were approached with human concepts rather than with the wishy-washy concepts of today's science, it would be observed all over how every word and every world-relation calls forth an organic, almost chemical effect in the human being.

Knowing such things makes lecturing easier too. Whereas there is otherwise a barrier between speaker and audience, this harrier ceases to exist if it is to some extent perceived how the stomach juices curdle, and eventually become sour in the stomach and impair the stomach walls, in the case of a pedantic talk. Occasionally there is the opportunity of seeing it: though less in lecture-halls of universities, — there, the students protect themselves by not listening!

From all this, you can see how much depends on the mood in lecturing, — how much more important — preparing the atmosphere, having it in hand, is, than to get the lecture ready word for word. He who has prepared himself often for the correct mood need not concern himself with the verbal details to a point where, at a given moment, the latter would make him the upsetter of stomach juices.

Various things — if I may so express it — go to make up a duly equipped speaker. I should like to present them at this particular point because an explanation of “rights concepts” requires much that has to be characterized in this direction. [In another part of this lecture, Rudolf Steiner had already discussed aspects of justice not having to do with the art of lecturing. — Note by translator.] I would like to present this now, before talking tomorrow about the interweaving of the “economic elements” in speaking.

An anthroposophist once brought the well-known philosopher, Max Dessoir (1867–1947) — whom you also perhaps know — along one evening, to the Architektenhaus in Berlin, when I was to hold a lecture there. This one-time friend of Max Dessoir said afterwards, “Oh, that Dessoir didn't respond after all! — I asked him how he had liked the lecture and he replied: ‘Well, you know, I'm a lecturer myself, and anyone who is himself a speaker can't listen properly; he has no opinion on what another lecturer says!’ ” — Now, I did not need to form a judgement about Dessoir after this declaration; I had other opportunities for that, indeed I wouldn't have done so based on this utterance, since I could not know at all whether it was really true, or whether, as usual, Dessoir had lied this time also. But assuming it were true: what would it be a proof of? — That at any rate the one who holds such a view can never become an adequate speaker. A person can never become a good speaker who likes to speak, who likes to hear himself talk, and attaches special importance to his own speaking. A good speaker really always has to endure a certain reluctance when he is to speak. He must clearly feel this reluctance. Above all, he should much prefer listening to another speaker, even the worst, to speaking himself.

I know very well what I say with this statement, and I well realize how difficult it is for some of you to believe me in this. But it is so. Of course, I concede that there are other pleasures in the world than listening to poor speakers. But at all events, speaking oneself ought not to belong to these other greater pleasures. One must even feel a certain urge to hear others; even enjoy listening to others. For it is really through listening that one becomes a speaker, not through love of speaking oneself. A certain fluency is acquired through speaking, but this has to proceed instinctively. What makes one a speaker is actually listening, developing an ear for the distinctive traits of other speakers, even if they are poor ones. Therefore, I shall answer everyone who asks me how best to prepare himself to become a good speaker: he should hear and especially read — I have explained the difference between hearing and reading — he should hear and read the lectures of others! (That can after all be done, since the nuisance prevails of printing lectures.) In this way one acquires a strong feeling of distaste for one's own speaking. And this distaste for one's own speaking is actually what enables one in fact to speak adequately. This is extraordinarily important.. And for those people who don't yet manage to view their own speaking with antipathy, it is good at least to retain their stage-fright. — To stand up and lecture without stage-fright and with sympathy for one's own speaking is something that ought to be refrained from, since under all circumstances, the results thus achieved would be negative. It leads to lecturing becoming sclerotic, to ossification, and to capsulated talk, and belongs to the elements that ruin the sermon for people.

I would truly not be speaking about lecturing in the sense of the task of this course if I were to enumerate rules of speaking to you, taken from some old book on rhetoric, or from copied, old rhetorical speeches. Rather, I would like to enjoin upon you, out of living experience, what one should really always have at heart when one wants to affect one's fellow-men by means of lecturing.

Things certainly alter somewhat if one is forced into a debate — if, I should like to say, a certain rights-relationship between person and person arises in the discussion. But in the discussion, through which rights-relationships could be learnt most beautifully, this projecting in of general rights-concepts into the relationship which prevails between two people hardly plays a role today. There, it is really a matter of not being in love with one's own way of thinking and feeling, but rather of feeling averse toward what one would like to say on the topic, and what one actually brings up. This can be done if one understands how to hold back one's own opinion, one's own annoyance or excitability, and can get across into the other person's mind. Then this will be fruitful even in the debate when a statement must be rejected. Of course, one can not simply reiterate what the other person says, but one can appropriate from him what is needed for an effective debate.

A striking example is the following: ( It is retold in the latest issue of Dreigliederung; I experienced it more than twenty years ago.) The delegate Rickert delivered a speech in the German Reichstag, in which he reproached Bismarck for changing his political alignment. He pointed out that Bismarck had gone along with the Liberals for a time, turning afterwards to the Conservatives. He gave an impressive speech, which he summarized in the metaphor, that Bismarck's politics amounted to trimming one's sails to the wind. Now, you can imagine what an effect it has inwardly, in terms of feeling, when such an image is used in a hall of parliament [ — the proper German translation for parliament is really Schwatzanstalt. — ] Bismarck, however, rose and with a certain air of superiority, to begin with, turned the things he had to say against delegate Rickert. And then he projected himself into the other as he always did in similar cases, and said, “Rickert has reproached me for trimming my sails to the wind. But pursuing politics is somewhat like navigating. I would like to know how one can steer properly if one does not want to adjust to the wind! A real sailor, like a real politician, must obviously adjust according to the wind in steering his course, — unless, possibly, he wants to make wind himself!”

You can see, the image is picked up and used, so that the arrow in fact hits back at the archer. In a debate it is a matter of taking things up, of getting things from the other speaker. Where a frivolous illustration is concerned, the matter is comprehensible. But one will also be able to do it in seriousness; seeking out from the opponent himself what unravels the matter! As a rule it will not be much use merely setting one's own reasons against those of the opponent.

In a debate one should be able to attune oneself as follows: The moment the debate gets going one should be in a position to dispose of everything one has known hitherto, drive it all down into the unconscious, and actually only know what the speaker whom one has to reply to, has just said. Then one should squarely exercise one's talent for setting aright what the speaker has said! Exercise the talent for setting aright! In debate it is a matter of taking up immediately what the speaker says, and not simply pitting against it what one already knew long ago. If that is done, as happens in most debates, the debate actually ends inconsequentially, in fact it comes to nothing. One has to be aware that in a debate one can never refute someone. It can only be demonstrated that a speaker either contradicts himself or reality. One can only go into what he has set forth. And that will be of immense importance if it is made use of as the basic principle for debates or discussions. If a person only wants to say in the debate what he has known before, then certainly it will be of no significance at all when he puts it forward after the speaker.

This once stared me in the face in a particularly instructive way. In Holland I was invited on my last trip also to give a lecture on Anthroposophy before the Philosophical Society of the University of Amsterdam. The chairman there was, naturally, already of a different opinion than I. There was no doubt at all that, if he were to engage in the debate, he would say something quite different than I would. But it was equally clear that what he said would ultimately make no difference as regards my lecture, and that my lecture would have no particular influence on what he would say, based on what he knew anyhow. Hence, I considered he did things quite cleverly. He raised what he had to say not subsequently in the debate, but in advance! What he did add later in the debate to his preliminary words he could equally have presented beforehand, at the start — it would not have changed matters a bit.

One must not cherish any illusions about such things. Above all a lecturer should familiarize himself very, very thoroughly with human relationships. But, if things are to have an effect, one cannot allow oneself any illusions about human relationships. Above all — I should like to tell you this today, since it will provide a certain basis for the next lectures — above all, one should not surrender to illusions about the effectiveness of talks!

Inwardly. I always have to get into a terribly humorous frame of mind when well-meaning contemporaries say again and again: It's not a matter of words, it's a matter of deeds! I have heard it declaimed again and again at the most inopportune points, not only in dialogues, but also from various podiums: Words don't count; actions count! As far as what happens in the world in the way of actions, everything depends on words! For those able to get to the bottom of the matter, no actions take place at all that have not been prepared in advance by someone or other through words.

But you will realize that the preparation is something quite subtle! For, if it is true — and it is true! — that through pedantic, theoretical, abstract, Marxist speaking one actually upsets people's stomach juices — whereby the stomach juices infect the rest of the organism — then outside actions, which very much depend on the stomach juices, are the consequence of such bad speeches. The stomach juices flow into the rest of the organism, when dispersed. On the other hand again, when people only act as jokers, stomach juices are produced incessantly, which really works like vinegar, — and vinegar is a frightful hypochondriac. But people will keep on being entertained, and what flows nowadays in public is a continuous whirl of fun-making, The joking- around of yesterday is still not digested, when the fun-making of today makes its appearance. With that, the digestive juices of yesterday go sour and become like vinegar. The human being will in turn be entertained today. He can make merry. But by the way he takes his place in public life, it is really the hypochondriacal vinegar which operates there. And this hypochondriacal vinegar is then to be met with!

In fact, in saloons it is the Marxist speakers who ruin people's stomachs. And if people then read the Vorwaerts [— apparently a comic paper], then this is the means by which the upset stomach must be put in order again. That is a very real process!

... It must be known how the realm of speaking takes its place within the realm of actions. The untruest utterance — because from false sentimentality (and everything stemming from false sentimentality is untrue!) — the untruest utterance vis-a-vis speaking is: “Der Worte sind genug gewechselt, lasst mich auch endlich Taten sehen!” [“The words you've bandied are sufficient: 'tis deeds that I prefer to see.” — Faust, Prelude on Stage.]

That can certainly stand in a passage of a drama. And where it stands it is even justified. But when it is torn out of context and made out to be a general dictum, then it may be “correct,” but good it is quite certainly not! And we should learn not merely beautiful, not merely correct, but also goodspeaking. Otherwise we lead people into the abyss, and can in any case not confer with them about anything worthy of the future.

Notes:

Note 1. Mainly the second part of a lecture given in Dornach on 14 October 1921. The lecture is the fourth of the Speakers' Course, published in German under the title: Anthroposophie. soziale Oreigliederung und Redekunst. (Rudolf Steiner Verlag, Dornach 1971.) Translated by Maria St. Goar. Revised. 

Lecture V October 15, 1921

I have tried to characterize how one can formulate a lecture on the threefold order from out of one thought, and then arrange it in sections. What one can generally say concerning the whole social organism, as well as references to what can occur in the first two realms — namely that of the spiritual life and that of the judicial, the body politic was contained in what I said. [Note 1] You will have understood from that, how preparing oneself for the content of such a lecture, one can proceed.

Now, one can also prepare oneself for the form of delivery by immersing oneself into the thoughts and feelings. We shall perhaps understand each other best if I say that the preparation should be such that we try hard first to sense and then to utter what is related to the spiritual life in a more lyrical language (without, of course, resorting to singing, recitation, or some such thing), — in a lyrical manner of speech, with quiet enthusiasm, so that one demonstrates through the way of delivering the matters that everything one has to say concerning the spiritual life comes from out of oneself. One should by all means call forth the impression that one is enthusiastic about what one envisions for the spiritual part of the social organism. Naturally, it must not be false, mystical, sentimental enthusiasm; a made-up enthusiasm. We achieve the right impression if we prepare ourselves first in imagination, in inner experience — even so far as to modulation — how, approximately, something like that could be said. I say specifically, “how, approximately, something like that could be said,” for the reason that we should never commit ourselves word for word; rather what we prepare is, in a sense, a speech taking its course only in inward thoughts; and we are certainly ready to re-formulate what we finally come out and say.

But when we speak about rights-relationships, we should make the attempt to speak dramatically. That implies: when we lecture about the equality of men, discussing it by means of examples, we should try as much as possible to put ourselves into the other person's position with our thinking. For instance, we should call to mind the image of how a person who seeks work, asserts his right to work in the sense of Kernpunkte der sozialen Frage (the threefold social order). By making it evident that on one hand we are speaking from the other person's position, from out of his assertion of rights, we should then make it evident how through a slight change in the tone of voice we pass on to the topic of how one ought to meet such an assertion out of general humanitarian reasons. So it is dramatic speaking, very strongly modulated, dramatic lecturing, that calls forth the impression in listeners that one could think one's way into the souls of other persons; that is the manner we should employ in speaking about the rights-relationships.

When lecturing on economic conditions, the main point is that we speak directly from experience. If, in the spirit of the threefold social organism, one speaks about economic relationships, one should not permit the belief to arise that there even could be such a thing as a theoretical political economy. Instead, one should limit the main discussion to describing cases taken from the economic life itself; either cases that one repeats, or cases that one construes as to how they should be or could be. But with the latter cases — saying how they should or could be — one must never neglect to speak out of economic experience. Actually, when lecturing on the economic life, one should speak in an epic style. Particularly, when presenting what is written in the Kernpunkte, one should speak as if one had no preconceived ideas at all concerning the economic life, and had no notions that this should be thus and so; instead, one should speak as if one were informed on all and everything by the facts themselves.

One can evoke a certain feeling, for example, that it is correct to permit the transfer of the administration of monetary funds from one who is not involved in it himself anymore, to somebody who once again can participate in it. But one can only speak about something like that if one presents it to people by means of descriptions of what takes place if there are legacies merely due to blood-relationships, or what can take place when such a transfer is occasioned in the way it is described in the Kernpunkte. Only by placing such a matter before people in a living way, as if one were copying reality, can one speak in such a way that the speech truly stands within the economic life. And just in this way, one can make the idea of “associations” [Note 2] comprehensible and plausible. One will make it plausible that an individual person really knows nothing about the economic life; that if he wants to arrive at a judgement as to what must be done in the life of the economy, he is basically completely dependent on communicating with others. A sound economic view can only emerge from groups of people and one is therefore dependent on associations.

Then, one will perhaps meet with comprehension if one calls attention to the fact that much of what exists today actually came out of ancient, instinctive associations. Just consider for a moment how today's abstract market brings things together, whose combination and redistribution to the consumer cannot be surveyed at all. But how has one arrived at this market-relationship in the first place? Basically, from the instinctive association of a number of villages located around a larger township, at a distance that one could travel back and forth on foot in one day, where people exchanged their products. One did not call that an association. One did not coin any word for it, but in reality it was an instinctive association. Those people who here came together for the market were associated with all of those who lived in the surrounding villages. They could count on a set circulation of goods that resulted from experience. Therefore they could regulate production according to consumption in truly alive relationships. There certainly existed such associative conditions in such primitive economies; they just didn't call themselves that.

All this has become impossible to over-see, with the enlargement of the economic territories. In particular, it has become senseless in regard to the world economy. The world economy which has come into being only in the last third of the 19th century, has reduced everything into an abstract realm; that is, it has reduced everything in the economic life to the turn-over of money or its monetary value, until this reduction has proven its own absurdity.

Indeed, when Japan fought a war with China and Japan won the war, one could very simply pay the war reparations by way of the Chinese Minister's handing a check to the Japanese Delegate, which the latter then deposited in a bank in Japan. This is an actual course of events. There were values contained in this check, which is money and has monetary value. It represented values. If you imagine how at that time everything should have been transported from one territory into the other this would have been a difficult process under modern-day conditions. But owing to the manner in which Japan and China were placed within the whole world economy, it could be done this way. However, all this has led itself to a point of absurdity. In the dealings between Germany and France, it has proven itself to be impossible. [Note 3] I am therefore of the opinion that the state of affairs can best be explained out of the economic relationships themselves, and then one can explain the necessity for the associative principle.

Once again, one should have to divide this subject matter regarding the economic life in a certain way, and one would have to pass on to several concluding sentences of which I have already said that they again should be conceived verbatim or at least almost word for word.

So, how will the preparation for a speech appear, in fact? Well, one should try one's best to get into the situation or the subject that the audience is prepared for, by formulating the opening sentences in a way one considers necessary. One will have greater difficulty in the case of completely unprepared listeners; less difficulty, if one addresses a group that one finds already involved in the matter, at least possessing the corresponding feelings concerning the assertions one makes. Then, one will neither write down the rest of the speech nor jot down mere catch-words. Experience shows that neither the verbatim composition nor the mere noting down of catch-words leads to a good speech. The reason for not writing down the speech is because it ties one down and easily causes embarrassment when the memory falters; this is most frequently the case when the speech is written down word for word. Catch-words easily mislead one to formulate the whole preparation too abstractly. On the other hand, if one needs to have such a support, what one should best write down and bring along as notes are a number of correctly formulated sentences that serve as catch-phrases. They do not make the claim that one delivers them in the same way as a part of the speech; instead, they indicate: first, second, third, fourth, and so on; they are extracts, so to speak, so that from one sentence perhaps ten or eight or twelve will result. But one should write such sentences down. One should therefore not write down, “spiritual life conceived as independent”; instead, “the spiritual life can only thrive if it freely works independently out of itself.” (Catch-phrases, with other words.) If you do something like this, you will then have the experience yourself that owing to such catch-phrases, you can in a relatively short time most readily attain to a certain facility of speaking freely, a speaking that only contains the ladder of catch-phrases.

Concerning the conclusion, it is often very good if, in a certain sense, at least gently, one leads back to the beginning; if therefore the end, in a sense, contains something that, as a theme, was also contained in the beginning.

And then, such catch-phrases readily give one the opportunity to really prepare oneself in the way indicated above by having noted these sentences down on one's piece of paper. So, let us say, one ponders the following: what you have to say for the spiritual life must have a sort of lyrical nature within you; what you have to say concerning the rights-relationships must have a kind of dramatic character in your mind; and what concerns the economic life must live in your mind in a narrative, epic form; a quiet, narrative, epic character. Then, the desire, as well as the skill, to word the catch- phrases in the formulation that I have indicated, will indeed begin to arise instinctively. The preparation will result quite instinctively in such a way that the manner in which one speaks merges indeed into what one has to say concerning the subject. For this it is, however, necessary to have brought one's command of language to the level of instinct, so that one indeed experiences the speech-organs the way one would, for instance, feel the hammer, if one wanted to use the hammer for something. That can be achieved, if one practices a little speech-gymnastics.

It's true, isn't it, when one practices gymnastics, those are not movements that are later executed in real life; but they are movements that make one flexible and dextrous. Similarly, one should make the speech-organs pliable and adroit; but making the latter pliable and dextrous is something that must be accomplished so that it goes together with the inner soul life, and so that one learns to be aware of the sound in speaking. In the seminar courses that I held over two years ago in Stuttgart for the Waldorf school teachers, I put together a number of such speech exercises that I now want to pass on to you. They are mostly of a kind that, by their content, does not prevent one from learning to merge oneself purely into the element of speech; they are only designed for practicing speech-gymnastics. If one tries again and again to say these sentences aloud, but in such a way that one always probes: how does one best use his tongue, how does one best use his lips so as to produce this particular sequence of sounds? — then one makes oneself independent of speaking and, instead, places that much more value on mental preparation for lecturing.

I shall now read you a number of such sentences whose content is often senseless, but they are designed to make the speech-organs pliable and fit for public speaking. [Note 4] 

Dass er dir log, uns darf es nicht loben.

(That he told lies, 't'is not to be lauded.)

is the easiest one.

Something a bit more complicated:

Nimm nicht Nonnen in nimmermuede Muehlen.

(Take not nuns in never-tired mills.)

One should increasingly try, along with the sequence of sounds, to make the organs of speech pliable; to bend, to hollow, to take possession of them [Note 5]

Another example:

Rate mir mehrere Raetsel nur richtig.

It is naturally not enough to say something like this once, or ten times; but again and again and again, because even if the speech-organs are already pliable, they can become still more so.

An example that I consider to be particularly useful is the following:

Redlich ratsam

Ruestet ruehmlich

Riesig raechend

Ruhig rollend

Reuige Rosse

With this, one has the opportunity to regulate the breath in the pauses, something one has to pay attention to and that can be particularly well done through such an exercise.

In a similar way, not all the letters, nor all the sounds, have the same value for this practicing. You make progress if you take the following, for example:

Protzig preist

Baeder bruenstig

Polternd putzig

Bieder bastelnd

Puder patzend

Bergig bruestend

If you succeed in finding your way into this sequence of sounds, you gain much from it.

When one has done such exercises, then one can also try to do those exercises that cannot but result in bringing a mood into the speaking of the sounds. I have tried to give an example of how the sounds can pour into the mood in the following:

Erfuellung geht (Fulfillment goes)

Durch Hoffnung (Through hope)

Geht durch Sehnen (Goes through longing)

Durch Wollen (Through willing)

and now it passes more into the sounds, through which, here in particular, the mood in the sound itself is held fast:

Wollen weht (Willing wafts)

Im Webenden (In weaving)

Weht im Bebenden (Wafts in billowing)

Webt bebend (Weaves billowing)

Webend bindend (Weaves binding)

Im Finden (In finding)

Findend windend (Finding winding)

Kuendend (Calling)

You will always discover, when you do these exercises in particular, how you are able, without letting the breath disturb you, to regulate the breathing by simply holding yourself onto the sounds. In recent times, one has thought up all kinds of more or less clever methods for breathing and for all kinds of accompanying aspects of speaking and singing, but actually, all of those are no good, because speech with everything that belongs with it, with the breath, too, should by all means be learned through actual speaking. This implies that one should learn to speak in such a way that, within the boundaries that result from the sound sequence and the word relationships, the breath also regulates itself as a matter of course. In other words, one should only learn breathing during speech — in speaking itself. Therefore, the exercises of speech should be so designed that, in correctly feeling them regarding their sounds, one is obliged — not by the content but by the sounds — to formulate the breath correctly because he experiences the sound correctly.

What the verse below represents, points once again to the content of the mood. It has four lines; these four lines are arranged so that they are an ascent, as it were. Each line causes an expectation, and the fifth line is the conclusion and brings fulfillment. Now one should really make an effort to execute this speech movement that I have just characterized. The verse goes like this:

In den unermesslich weiten Raeumen,

In den endenlosen Zeiten,

In der Menschenseele Tiefen,

In der Weltenoffenbarung:

Suche des grossen Raetsels Loesung.

(In the immeasurably wide realms,

in the never-ending ages,

in the human soul's depths

in the world's revelation:

seek the great riddle's answer.)

There you have the fifth line representing the fulfillment of that escalating expectation that is evoked in the first four lines.

*    *    *

Speech exercises and speech gymnastics; the effect of coffee and tea upon the speaker; respect for the audience through proper preparation.

One can also attempt to, well, let me say, bring the mood of the situation into the sounds, into the mode of speaking, the how of speech. And for that I have formulated the following exercise. One should picture a sizable green frog that sits in front of him with its mouth open. In other words, one should imagine that one confronts a giant frog with an open mouth. And now, one should picture what sort of reactions, effects, one can have regarding this frog. There will be humor in the emotion as well as all that should be evoked in the soul in a lively manner. Then, one should address this frog in the following way:

Lalle Lieder lieblich

Lipplicher Laffe

Lappiger lumpiger

Laichiger Lurch

Picture to yourself: that a horse is walking across a field. The content does not matter. Naturally, you must now imagine that horses whistle! Now you express the fact that you have here in the following manner:

Pfiffig pfeifen

Pfaeffische Pferde

Pflegend Pfluege

Pferchend Pfirsiche

and then you vary that by saying it this way:

Pfiffig pfeifen aus Naepfen

Pfaeffische Pferde schluepfend

Pflegend Pfluege huepfend

Pferchend Pfirsiche knuepfend

And then — but please, do learn it by heart, so that you can fluently repeat the one version after the other — there is a third version. Learn all three by heart, and try to say them so fluently that during the speaking of one version you will not be confused by the other. That is what counts. Take as the third form:

Kopfpfiffig pfeifen aus Naepfen

Napfpfaeffische Pferde schluepfend

Wipfend pflegend Pfluege huepfend

Tipfend pferchend Pfirsiche knuepfend

Learn one after the other, so that you can do the three versions by heart, and that one never interferes when you say the other.

Something similar can be done with the following two verses:

Ketzer petzten jetzt klaeglich

Letztlich leicht skeptisch

and now the other version:

Ketzerkraechzer petzten jetzt klaeglich

Letztlich ploetzlich leicht skeptisch

Again, learn it by heart and say one after the other!

One can achieve smooth speech if one practices something like the following:

Nur renn nimmer reuig

Gierig grinsend

Knoten knipsend

Pfaender knuepfend

One has to accustom oneself to say this sound sequence, ‘Nur renn ...’. You will see what you gain for your tongue, your organs of speech, if you do such exercises.

Now, such an exercise that lasts a bit longer, through which this flexibility of speech can be attained — I believe actors have already discovered afterwards that this was the best way to make their speech pliable:

Zuwider zwingen zwar

Zweizweckige Zwacker zu wenig

Zwanzig Zwerge

Die sehnige Krebse

Maher suchend schmausen

Dass schmatzende Schrnachter

Schmiegsam schnellstens

Schnurrig schnalzen

And then: one occasionally requires presence of mind in direct speech. One can acquire it by something like the following:

Klipp plapp plick glick

Klingt Klapperrichtig

Knatternd trappend

Rossegetrippel

Then, for further acquisition of presence of mind in speaking, the following two examples can be placed together:

Schlinge Schlange geschwinde

Gewundene Fundewecken weg

The ‘Wecken weg’ is in there, too, but as a sound-motif, thus:

Gewundene Fundewecken

Geschwinde schlinge Schlange weg

The following example is useful for putting some muscle into speech, so that one is in a position, in speaking, to slap somebody down in a discussion sometimes (something that is quite necessary in speaking!):

Marsch schmachtender

Klappriger Racker

Krackle plappernd linkisch

Kink von vorne fort

Then, for somebody who stutters a little, the following two examples should still be mentioned:

Nimm mir nimmer

Was sich waesserig

Mit Teilen mitteilt

For everyone who stutters, this example is good. When stuttering, one can also say it in the way below:

Nimmer nimm mir

Waesserige Wickel

Was sich schlecht mitteilt

Mit Teilen deiner Rede

The point is, of course, that the person who stutters must make a real effort.

One should by no means believe that what I want to call speech-gymnastics, can or should only be practiced with sentences that are meaningful for the intellect. Because in those sentences that contain sense for the intellect, the attentiveness for the meaning instinctively outweighs anything else too much, so that we do not rely correctly on the sounds, the saying. And it is really necessary that, in a certain sense, we tear speaking loose from ourselves, actually manage to separate it from ourselves. In the same way as one can separate writing from one's self, one can also tear speaking loose from oneself.

There are two ways to write for the human being. One way consists of man's writing egotistically; he has the forms of the letters in his limbs, as it were, and lets them flow out of his limbs. One emphasized such a style of writing for a certain length of time — it is probably still the same today — when one gave lessons in penmanship for those who were to be employed in business offices or people like that. I have, for example, observed at one time how such a lesson in writing was conducted for employees of commercial establishments so that the persons in question had to develop every letter out of a kind of curve. They had to learn swinging motions with the hand; then they had to put these motions down on paper; this way, everything is in the hand, in the limbs; and one is not really present with anything but the hand in writing. Another form of writing is the one that is not egotistical; it is the unselfish style of writing. It consists of not really writing with the hand, as it were, but with the eye; one always looks at it and basically draws the letter. Thus, what is in the formation of the hand is of importance to a lesser degree: one really acts like one does when sketching, where one is not the slave of a handwriting. Instead, after a while, one has difficulty in even writing one's name the same way one has written it just the time before. For most people it is so terribly easy to write their name the way they have always written it. It flows out of their hand. But those persons who place something artistic into the script, they write with the eye. They follow the style of the lines with the eye. And there, the script indeed separates itself from the person. Then — while it is in a certain respect not desirable to practice that — a person can imitate scripts, vary scripts in different ways. I do not say that one should practice that especially, but 1 mean that it results as an extreme when one paints one's script, as it were. This is the more unselfish writing. Writing out of the limbs, on the other hand, is the more selfish, the egotistic way.

Speech is also selfish, in most people. It simply emerges out of the speech-organs. But you can gradually accustom yourselves to experience your speech in such a way that it seems as if it floated around you, as if the words flew around you. You can really have a sort of experience of your words. Then, speaking separates itself from the person. It becomes objective. Man hears himself speak quite instinctively. In speaking, his head becomes enlarged, as it were, and one feels the weaving of sounds and the words in one's surroundings. One gradually learns to listen to the sounds, the words. And one can achieve that particularly through such exercises. That way, there is in fact not just yelling into a room anymore — by yelling, I do not mean shouting out loud only; one can yell in whispering, too, if one actually speaks only for one's own sake, the way it emerges out of the speechorgans — instead one really lives, in speaking, with space. One feels the resonance in space, as it were. This has become a fumbling mischief in certain speech-theories — theories of speech-teaching or speech- study, if you will — of recent times. One has made people speak with body-resonance, with abdominal resonances, with nasal resonances, and so forth. But all these inner resonances are a vice. A true resonance can only be an experienced one. One experiences such a resonance not by the impact of the sound against the interior of the nose; instead one feels it only in front of the nose, outside. Thus, language in fact attains to abundance. And of course, the language of a speaker should be abundant. A speaker should swallow as little as possible.

Do not believe that this is unimportant for the speaker; it is rather of great significance for the speaker. Whether we present something in a correct way to people depends most certainly on what position we are able to take in regard to speech itself. One doesn't have to go quite so far as a certain actor who was acquainted with me, who never said “Freundrl” [Austrian dialect for “Friend” — note by translator] but always “Freunderl”, because he wanted to place himself into every syllable. He did that to the extreme. But one should develop the instinctive talent not to swallow syllables, syllable-forms, and syllable- formations. One can accomplish that if one tries to find one's way into rhythmic speech in such a way that, placing one's self into the whole sound- modulation, one recites to oneself:

Und es wallet und siedet und brauset und zischt,

Wie wenn Wasser mit Feuer sich mengt ...

                                   (Quote from Schiller's The Diver)

So: it is a matter of placing one's self not only into the sound as such but into the sound-modulation. into this “growing round” and the angularity of sound.

If somebody believes that he could become a speaker without putting any value on this, then he labors under the same misconception as a human soul that has arrived at the point between death and a new birth, when it once again will descend to the earth, and does not want to embody itself because it does not want to enter into the moulding of the stomach, the lungs, the kidney, and so forth. It is really a matter of having to draw on everything that makes a speech complete.

One should at least put some value on the organism of speech and the genius of language as well. One should not forget that valuing the organism of speech, the genius of language, is creative, in the sense of creating imagination. He who cannot occupy himself with language, listening inwardly, will not receive images, will not be the recipient of thoughts; he will remain clumsy in thinking, he will become one who is abstract in speaking, if not a pedant. Particularly, in experiencing the sounds, the imagery in speech-formation, in this itself lies something that entices the thoughts out of our souls that we need to carry before the listeners. In experiencing the word, something creative is implied in regard to the inner organization of the human being. This should never be forgotten. It is extremely important. In all cases, the feeling should pervade us how the word, the sequence of words, the word-formation, the sentence- construction, how these are related to our whole organism. Just as one can figure out a person from the physiognomy, one can even more readily — I don't mean from what he says but from the how of the speech — one can figure out the whole human being from his manner of speech.

But this how of his speech emerges out of the whole human being. And it is by all means a matter of focusing — delicately of course, not by treating ourselves like we were the patient — on the physical body. It is, for example, beneficial for somebody who, through education or perhaps even heredity, is predisposed to speaking pedantically; to try, with stimulating tea that he partakes of every so often, to wean himself from pedantry. As I have said, these things must be done with care. For one person, this tea is right; for another, the other tea is good. Ordinary tea, as I have repeatedly mentioned, is a very good diet for diplomats: diplomats have to be witty, which means having to chat at random about one thing after another, none of which must be pedantic, but instead has to exhibit the ease of switching from one sentence to another. This is why tea is indeed the drink of diplomats. Coffee, on the other hand, makes one logical. This is why, normally not being very logical by nature, reporters write their articles most frequently in coffee-houses. Now, since the advent of the typewriter, matters are a little different, but in earlier days, one could meet whole groups of journalists in coffee-houses, chewing on their pen and drinking coffee so that at last, one thought could align itself with the next one. Therefore. if one discovers that one has too much of what is of the tea-quality, then coffee is something that can have an equalizing effect. But, as was mentioned before. all this is not altogether meant, as a prescription, but pointing in that direction. And if somebody, for example, is predisposed to mix some annoying sound into his speech — let's say if somebody says, “he,” after every third syllable, or something like that — then I advise him to drink some weak senna-leaf-tea twice a week in the evening, and he will see what a beneficial effect that will have.

It is indeed so: since the matters that come to expression in a lecture, in a speech, must come out of the whole person, diet must by no means be overlooked. This is not only the case in an obvious sense. Of course, one can hear by the speech whether it comes from a person who has let endless amounts of beer flow down his gullet, or something like that. This is an obvious case. He who has an ear for speech knows very well whether a given speaker is a tea- drinker or a coffee-drinker, whether he suffers from constipation or its opposite. In speech, everything is expressed with absolute certainty, and all of that has to be taken into consideration. One will gradually develop an instinct for these matters if one becomes sensitive to language in one's surroundings the way I have described it.

However, the various languages lend themselves in different ways, and in varying degrees, to being heard in the surroundings. A language such as the Latin tongue is particularly suitable for the above purpose. The same with the Italian. I mean by this, to be heard objectively by the one who is speaking himself. The English language, for example, is little suited for this, because this language is very similar to the script that flows out of the limbs. The more abstract the languages are, the less suitable they are to be heard inwardly and to become objective. Oh, how in former times the German Nibelungen-song sounded:

Uns ist in alten maeren            Wunders vil geseit

von heleden lobebaeren,         von grôzer arebeit;

von freude unt hôchgezîten,     von weinen unde klagen,

von küener recken strîten         müget ir nu wunder hoeren sagen.

Ez wuohs in Buregonden         ein vil edel magedîn,

daz in allen landen                    niht schoeners mohte sîn,

Kriemhilt geheizen;                  diu wart ein schoene wîp,

Dar umbe muosen degene     vil Verliesen dën lîp.

That hears itself while one is speaking! Through such things one must learn to experience language. Naturally, languages become abstract in the course of their development. Then one must bring the concrete substance into it from within, permeate it with the obvious. Abstractly placed side by side, what a difference:

Uns ist in alten maeren        wunders vil geseit

Uns wird in alten Märchen   Wunderbares viel erzählt

and so forth!

But if one becomes accustomed to listening, this can certainly also be brought into the more modern language, and there, much can be done in speech towards the latter's becoming something that has its own genius. But for that, such exercises are required, so that listening in the spirit and speaking out of the spirit fit into one another. And so, I want to repeat the verse one more time:

Erfuellung geht

Durch Hoffnung

Geht durch Sehnen

Durch Wollen

Wollen weht

Im Webenden

Weht im Bebenden

Webend bindend

Im Finden

Findend windend

Kuendend.

Only by placing the sound into various relationships, does one arrive at an experiencing of the sound, the metamorphosis of the sound, and the looking at the word, the seeing of the word.

Then, when something like what I have described today as creating a disposition through catch-sentences, as our inner soul-preparation, is united with what we can in the above way gain out of the language, then it all works toward public speaking.

One more thing is required besides all the others I have already mentioned: responsibility! This implies that one should be aware that one does not have the right to set all of one's ill-mannered speech-habits before an audience. One should learn to feel that for a public appearance one does require education of speech, a going-out of one's self, and plasticity in regard to speech. Responsibility towards speech! It is very comfortable to remain standing and to speak the way one normally does, and to swallow as much as one is used to swallow; to swallow (verschlucken), to squeeze (quetschen), and to bend (biegen) and break (brechen), and to pull (dehnen) at the words just the way it suits one. But one may not remain with this squeezing (Quetschen) and pushing (Druecken) and pulling (Dehnen) and cornering (Ecken) and similar speech-mannerisms. Instead, one must try to come to the aid of one's speaking even in regard to the form. If one supports one's speaking in this manner, one is quite simply also led to the point where one addresses an audience with a certain respect. One approaches public speaking with a certain reserve and speaks to an audience with respect. And this is absolutely necessary. One can accomplish this if, on the one side, one perfects the soul-aspect; and, on the other side, formulates the physical in the way I have demonstrated in the second part of the lecture. Even if one only has to give occasional talks, such matters still play an important part.

Say, for example, that one has to give discussions on the building, the Goetheanum. Since one naturally cannot make a separate preparation for each discussion, one should basically, in that case, properly prepare oneself, the way I have explained it, at least twice a week for the talk in question. One should actually only extemporize, if one practices the preparation, as it were, as a constant exercise.

Then one will also discover how, I should like to say, the outer form unites itself with the substance. And we shall have to speak about this point in particular one more time tomorrow: about the union of the form-technique with the soul-technique.

The course is brief, unfortunately; one can barely get past the introduction. But I would find it irresponsible not to have said what I did say in particular in the course of these lectures.

Notes:

Note 1. The threefold social organism, as depicted by Rudolf Steiner, is composed of three parts: the two mentioned above and the economic realm.

Note 2. (See The Threefold Social Order for details on “Associations.”)

Note 3. Rudolf Steiner refers here to the war-reparations demanded of Germany by France.

Note 4. The speech-exercises are rendered in the original German, since the emphasis is on their sound, primarily; a translation is often useless as well as extremely difficult.

Note 5. In trying to illustrate how one must take hold of one's speech-organs via the exercises. Rudolf Steiner modifies the four words in a manner that is highly original and unusual, and untranslatable as well. But they thus indicate a living working, an active doing. “Gesehmeithgen,” to make pliable; “zu biegen,” to bend; “zu hohlen,” to make hollow; “zu erhabenen,” to have or possess by effort.

Lecture VI October 16, 1921

Since today must be our last session, we will be concerned with filling out and expanding upon what has been said; so you must consider this rather like a final clearance at a rummage sale, where what has been left is finally brought out.

First, I would like most of all to say one must keep in mind that the speaker is in an essentially different position than he who gives something he has written to a reader. The speaker must be very aware that he does not have a reader before him, but rather a listener. The listener is not in a position to go back and re-read a sentence he has not understood. The reader, of course, can do this, and this must be kept in mind. This situation can be met by presenting through repetition what is considered important, even indispensable, for a grasp of the whole. Naturally, care must be taken that such repetitions are varied, that the most important things are put forth in varied formulations while, at the same time, this variety of re-phrasings does not bore the listener who has a gift for comprehension. The speaker will have to see to it that the different ways he phrases one and the same thing have, as it were, a sort of artistic character.

The artistic aspect of speaking is, in general, something that must be kept clearly in mind, the more the subject matter is concerned with logic, life-experience, and other powers of understanding. The more the speaker is appealing to the understanding through strenuous thinking, the more he must proceed artistically — through repetition, composition, and many other things which will be mentioned today. You must. remember that the artistic has its own means of facilitating understanding. Take, for example, repetition, which can work in such a way that it forms a sort of facilitation for the listener. Differently phrased repetitions give the listener occasion to give up rigidly holding himself to one or another phrase and to hear what lies between them. In this way his comprehension is freed, giving him the feeling of release, and that aids understanding to an extraordinary degree.

However, not only should different means of artistically structuring the speech be applied, but also different ways of executing it. For example, take the speaker who, in seeking the right word for something, brings in a question in such a way that he actually speaks the question amidst the usual flow of statements. What does it mean to address one's listeners with a question? Questions which are listened to actually work mainly on the listener's inhalation. The listener lives during his listening in a breathing-in, breathing-out, breathing-in, breathing-out. That is not only important for speaking, it is also most important for listening. If the lecturer brings up a question the listener's exhalation can, as it were, remain unused. Listening is diverted into inhalation on hearing a question. This is not contradicted by a situation when the listener may be breathing out on hearing a question. Listening takes place not only directly but indirectly, so that a sentence which falls during an exhalation — if it is a question — is really only rightly perceived, rightly taken in, during the subsequent inhalation. In short, inhalation is essentially connected with hearing a content in question form. However, because of the fact that inhalation is engaged by a question being thrown out, the whole process of listening is internalized. What is said goes somewhat more deeply into the soul than if one listens merely to an assertion.

When a person hears a straight assertion his actual tendency is to engage neither his inhalation nor his exhalation. The assertion may sink in a little, but it doesn't actually even engage the sense organs much.

Lengthy assertions concerning logical matters are, on the whole, unfortunate within the spoken lecture. Whoever would lecture as if he were merely giving a reasoned argument has gotten hold of a great instrument — to put his listeners to sleep; for such a logical development has the disadvantage that it removes the understanding from the organ of hearing. One doesn't listen properly to logic. Furthermore, it doesn't really form the breath; it doesn't set it going in varied waves. The breath remains essentially in its most neutral state when a logical assertion is listened to, thus one goes to sleep with it. This is a wholly organic process. Logical assertions are perforce impersonal — but that takes its toll.

Thus, one who wants to develop into a speaker must take care whenever possible not to speak in logical formulae but in figures of speech, while remaining logical. To these figures of speech belongs the question. Also belonging to figures of speech is the ploy of occasionally saying the opposite of what one really wants to say. This has to be said in such a way that the listener knows he is to understand the opposite. Thus, let us say, the speaker says straight out, and even in an assertive tone: Kully is stupid. Under certain circumstances that could prove to be not a very good turn of phrase. But it could be a good formulation if someone said: I don't believe there is anyone sitting here who presumes that Kully is clever! There you have spoken a phrase that is opposite of the truth. But, naturally, you have added something so that you could formulate the opposite to the assertive statement. Thus, by proceeding in this way, and with inner feeling, the speech will be able to stand on its own two feet.

I have just said that the speech will be able to stand on its own feet. This is an image. Philistines can say that a speech has no feet. But a speech does have feet!As an example one need only recall that Goethe, in advanced age, when he had to speak while fatigued, liked to walk around the room. Speech is basically the expression of the whole man — thus it has feet! And to surprise the listener with something about which he is unfamiliar and which, if he is to grasp it, he must go counter to what he is familiar with — that is extremely important in a lecture.

Also belonging to the feeling-logic of the speech is the fact that one does not talk continually in the same tone of voice. To go on in the same tone, you know, puts the listener to sleep. Each heightening of the tone is actually a gentle nightmare; thus the listener is somewhat shaken by it. Every relative sinking of tone is really a gentle fainting, so that it is necessary for the listener to fight against it. Through modulating the tone of speech one gives occasion for the listener to participate, and t h At is extraordinarily important for the speaker.

But it is also especially important now and t hen to appeal somewhat to the ear of the listener. If he is too immersed in himself while listening, at times he won't follow certain passages. He begins to reflect within himself. It is a great misfortune for the lecturer when his listeners begin to ponder within themselves. They miss something that is being said, and when — after a time — they again begin to hear, they just can't keep up. Thus at times you must take the listener by the ear, and you do that by applying unusual syntax and sequences of phrasing. The question, of course, gives a different placing of subject and predicate than one is used to, but you ought to have on hand a variety of other ways of changing the word order. You should speak some sentences in such a way that what you have at the beginning is a verb or some other part of speech which is not usually there. Where something unusual happens, the listener again pays attention, and what is most noteworthy is that he not only pays attention to the sentence concerned but also to the one that follows. And if you have to do with listeners who are unusually docile, you will find that they will even listen to the second sentence if you interlace your word-order a bit. As a lecturer, you must pay attention to this inner lawfulness. You will learn these things best if, in your listening, you will direct your attention to how really good speakers use such things. Such techniques are what lead essentially to the pictorial quality of a speech.

In connection with the formal aspect of speaking, you could learn a great deal from the Jesuits. They are very well trained. First, they use the components of a speech well. They work not only on intensification and relaxation but, above all, on the image. I must continually refer to a striking Jesuit speech I once heard in Vienna, where I had been led by someone to the Jesuit church and where one of the most famous Jesuit Fathers was preaching. He preached on the Easter Confessional, and I will share the essential part of his sermon with you. He said: "Dear Christians! There are apostates from God who assert that the Easter Confessional was instituted by the Pope, by the Roman Pope; that it does not derive from God but rather from the Roman Pope. Dear Christians! Whoever would believe that can learn something from what I am going to say: Imagine in front of you, dear Christians, there stands a cannon. Beside the cannon there stands a cannonier. The cannonier has a match in his hand ready to light the fuse. The cannon is loaded. Behind the cannonier is the commanding officer. When the officer commands, 'Fire,' the cannonier lights the fuse. The cannon goes off. Would any of you now say that this cannonier, who obeyed the command of his superior, invented the powder? None of you, dear Christians, would say that! Look now, such a cannonier was the Roman Pope, who waited for the command from above before ordering the Easter Confessional. Thus, no one will say the Pope invented the Easter Confessional; as little as the cannonier invented the gunpowder. He only carries out the commandments from above." All the listeners were crushed, convinced!

Obviously, the man knew the situation and the state of mind of the people. But that is something that is an indispensable precondition for a good speech and has already been characterized in this study. He said something which, as an image, fell completely outside the train of thought, and yet the listeners completed the course of the argument without feeling that the man spoke subjectively. I have also called to your attention the dictum by Bismarck about politicians steering by the wind, an image he took from those with whom he was debating, but which nevertheless frees one from the strictness of the chain of thought under discussion.

These sorts of things, if they are rightly felt, are those artistic means which completely replace what a lecture does not need, namely, sheer logic. Logic is for thought, not for speaking; I mean for the form of speech, not the way of expression. Naturally, the illogical may not be in it. But a speech cannot be put together as one combines a train of thought. You will find that something may be most acute and appropriate in a debate and yet really have no lasting effect. What does have a lasting effect in a speech is an image which grabs, that is, which stands at some distance from the meaning, so that the speaker who uses the image has become free from slavish dependence on the pure thought-sense.

Such things lead to the recognition of how far a speech can be enhanced through humor. A deeply serious speech can be elevated by a humor which, so to say, has barbs. It is just as I have said: if you wish to forcibly pour will into the listeners, they get angry. The right way to apply the will is for the speech itself to develop images which are, so to speak, inner realities. The speech itself should be the reality. You can perhaps grasp what I want to say if I tell you of two debates. The second is not a pure debate, but it still can be instructive for the use of images in a speech which wishes to characterize something.

Notice that those orations that are intended to be witty often acquire a completely subjective coloring. The German Parliament had for some time, in one of its members by the name of Meyer, just such a witty debater. For example, at one time the famous — or infamous — “Lex Heinze” was advocated in this particular Parliament. I believe that the man who gave the speech for the defense was the minister; and he always spoke, as the defender and as one belonging to the Conservative Party, of “das Lex Heinze.” He always said “das Lex Heinze.” Now, no doubt, such a thing can pass. But it was in the nature of the Liberal Party, of which the joker, Representative Meyer, was a member, that it took just such matters seriously. So later on in the debate Meyer asked leave to speak and said somewhat as follows: “The Lord Minister has defended die Lex Heinze [Note 1] and has constantly said ‘das Lex Heinze.’ I didn't know what he was really talking about. I have gone all around asking what ‘das Lex’ is. No one has been able to enlighten me. I took the dictionary and looked — and found nothing. I was about to come here and ask the Minister, when it suddenly struck me to consult a Latin Grammar. There I found it, there stood the statement: 'What one cannot decline must be considered a neuter!”

To be sure, for an immediate laugh it is very good, this coarse wit. But it still has no barbs, it doesn't ignite deeply, because with such a ploy there is aroused subtly and unconsciously in the listener a pity for the afflicted one. This kind of wit is too subjective, it comes more out of a love of sarcasm than out of the thing itself.

Over against this I have always found the following to be a striking image: He who was later to become Prussian King Friedrich Wilhelm IV was, as Crown Prince, a very witty man. His father, King Friedrich Wilhelm III, had a minister who was very special to him, whose name was von Klewiz. [Note 2] Now the Crown Prince could not bear von Klewiz. Once, at a court ball, the Crown Prince spoke to Klewiz and said: Your Excellency, I would like to put to you a riddle today:

The first is the fruit from the field

The second is something which,

when one hears it, one gets a light shock;

And the whole is a public calamity!

Von Klewiz turned red from ear to ear, bowed, and handed in his resignation after the ball. The King called him and said: What happened to you? I can't spare you, my dear Klewiz! — Yes, but, Your Royal Highness, the Crown Prince said something to me yesterday which made it impossible for me to remain in office. — But that is not possible! The dear Crown Prince would not say such a thing, that I can't believe! — Yes, but it is so, Your Majesty. — What has the Crown Prince said? — He said to me: The first is a fruit from the field; the second is something which, if one hears it, one gets something like a light shock; the whole is a public calamity! There is no doubt, Royal Highness, that the Crown Prince meant me. — Indeed, remarkable thing, dear Klewiz. But we will have the Crown Prince come and we will hear how the matter stands.

The Crown Prince was called. — Dear One, yesterday evening you are supposed to have said something very offensive to my indispensible minister, His Excellency, von Klewiz. — The Crown Prince said: Your Majesty, I am unable to remember. If it had been something serious I would surely be able to remember it. — It does seem to have been something serious, though. — Oh! Yes, yes, I remember. I said to His Excellency that I wished to put a riddle to him: The first syllable is a fruit of the field, the second syllable indicates something which, if one perceives it, one gets something like a slight shock; the whole is a public calamity. I don't think that it is a matter of my having offended His Excellency so much as that His Excellency could not solve the riddle. I recall that His Excellency simply could not solve the riddle! — The King said: Indeed, what is the riddle's solution? — Here, then: The first syllable is a fruit of the field: hay (Heu); the second syllable, where one gets a light shock, is “fear” (Schreck); the whole is: grasshopper (Heu-schreck), that is, a public calamity (or nuisance), Your Majesty.

Now why do I say that? I say it on the grounds that no one who tells such a thing, no one who moulds his phrases or figures of speech in such a form, has need of following the matter through to its end; for no person expects in telling it that he has to explain the tableau further, but rather expects each to draw for himself the pictorial idea. And it is good in a speech to occasionally work it so that something is left over for the listener. There is nothing left over when one ridicules someone; the gap is perfectly filled up.

It is a matter of heightening the vividness so that the listener can really get the feeling that he can act on something, can take it further.

*    *    *

The audience listens with the speech organs. The speaker must be fully immersed in his topic. He must have thorough knowledge of the events of the time. The movement for the threefold social order cannot be separated from Anthroposophy.

Naturally, it is necessary that one leaves the needed pauses in his speech. These pauses must be there.

Now along this line we could say an extraordinary amount about the form, about the structure, of a speech. For usually it is believed that men listen with their ears alone; but the fact that some, when they especially want to grasp something, open their mouths while listening, already speaks against this. They would not do this if they listened with their ears alone. We listen with our speech organs much more than is usually thought. We always, as it were, snap up the speech of the speaker with our speech organ; and the etheric body always speaks along with, even makes eurythmy along with, the listening — and, in fact, the movements correspond exactly to eurythmy movements. Only people don't usually know them unless they have studied eurythmy.

It is true that everything we hear from inanimate bodies is heard more from outside with the ear, but the speech of men is really heard in such a way that one heeds what beats on the ear from within. That is a fact which very few people know. Very few know what a great difference exists between hearing, say, the sound of church bells or a symphony, and listening to human speech. With human speech, it is really the innermost part of the speaking that is heard. The rest is much more merely an accompanying phenomenon than is the case with the hearing of something inanimate. Thus, I have said all that I did about one's own listening so that the speaker will actually formulate his speech as he would criticize it if he were listening to it. I mean that the formulation comes from the same power, out of the same impulse, as does the criticism if one is doing the listening.

It is of some importance that the persons who make it their task to do something directly for the threefolding of the social organism — or something similar to this — take care that what they have to say to an audience is done, in a certain way, artistically. For basically, one speaks today — I have already indicated this — to rather deaf ears, if one speaks before the usual public about the threefolding of the social organism. And, I would like to say, that in a sense one will have to be fully immersed in the topic, especially with feeling and sensitivity, if one wants to have any success at all. That is not to suggest that it is necessary to study the secrets of success — that is certainly not necessary — and to adapt oneself in trivial ways to what the listener wants to hear. That is certainly not what should be striven for. What one must strive for is a genuine knowledge of the events of the time. And, you see, such a firm grounding in the events of the time, an arousal of the really deeper interest for the events of the time, can only be evoked today by Anthroposophy. For these and other reasons, whoever wants to speak effectively about threefolding must be at least inwardly permeated with the conviction that for the world to understand threefold, it is also necessary to bring Anthroposophy to the world.

Admittedly, since the very first efforts toward the realization of the threefold social order, there have been, on the one hand, those who are apparently interested in the threefold social order but not in Anthroposophy; while on the other hand, those interested in Anthroposophy but caring little for the threefold social order. In the long run, however, such a separation is not feasible if anything of consequence is to be brought about.

This is especially true in Switzerland, some of the reasons for which having already been mentioned. The speaker must have a strong underlying conviction that a threefold social order cannot exist without Anthroposophy as its foundation. Of course, one can make use of the fact that some persons want to accept threefolding and reject Anthroposophy; but one should absolutely know — and he who knows will be able to find the right words, for he will know that without the knowledge of at least the fundamentals of Anthroposophy there can be no threefold organization.

For what are we attempting to organize in a threefold way? Imagine a country where the govern ment has complete control of the schools on the one hand and the economy on the other, so that the area of human rights falls between the two. In such a country it would be very unlikely that a threefold organization could be achieved. If the school system were made independent of the government, the election of a school monarch or school minister would probably shortly follow, transforming within the shortest time the independent cultural life into a form of government!

Such matters cannot be manipulated by formulas; they must be rooted in the whole of human life. First we must actually have an independent cultural life and participate in it before we can assign it its own sphere of activity within society. Only when that life is carried on in the spirit of Anthroposophy — as exemplified by the Waldorf school in Stuttgart — can one speak of the beginnings of an independent cultural sector. The Waldorf school has no head, no lesson plans, nor anything else of the kind; but life is there, and life dictates what is to be done.

I am entirely convinced that on this topic of the ideal independent school system any number of persons, be it three, seven, 12, 13 or 15, could get together and think up the most beautiful thoughts to formulate a program: firstly, secondly, thirdly — many points. These programs could be such that nothing more beautiful could be imagined. The people who figured out these programs need not be of superior intelligence. They could, for example, be average politicians, not even that, they could be barroom politicians. They could discover 30, 40 points, fulfilling all the highest ideals for the most perfect schools, but they wouldn't be able to do anything with it! It is superfluous to set up programs and statutes no one can work with. One can work with a group of teachers only on the basis of what one has at hand — not on the basis of statutes — doing the best one can in the most living way.

An independent cultural life must be a real life of the spirit. Today, when people speak of the spiritual life, they mean ideas; they speak only of ideas.

Consequently, since Anthroposophy exists for the purpose of calling forth in people the feeling for a genuine life of the spirit, it is indispensable when the demand arises for a threefold social organism. Accordingly, the two should go together: furtherance of Anthroposophy and furtherance of the threefold social order.

But people, especially today, are tired in mind and soul. They actually want to avoid coming to original thoughts and feelings, interested only in maintaining traditions. They want to be sheltered. They don't want to turn to Anthroposophy, because they don't want to stir their souls into activity; instead, they flock in great numbers — especially the intellectuals — to the Roman Catholic Church, where no effort is required of them. The work is on the part of the bishop or priest, who guides the soul through death. Just think how deep-rooted it is in today's humanity: parents have a son whom they love; therefore they want his life to be secure. Let him work for the government: then he is bound to be well looked after; then he doesn't have to face the battle of life by himself. He will work as long as he can, then go on to pensioned retirement — secure even beyond his working days. How grateful we should be to the government for taking such good care of our children!

Neither are people so fond of an independently striving soul. The soul is to be taken care of until death by the church, just as work is provided by the government. And just as the power of the government provides the physical man with a pension, so the church is expected to provide the soul with a pension when a man dies, is expected to provide for it after death — that is something that lies deeply in present-day man, in everyone today. Just to be polite I will add that this is true for the daughters as well as the sons, for they would rather be married to those who are thus “secure,” who are provided for in this way. Such seems to be the obsession of humanity: not to build upon oneself, but to have some mystical power somewhere upon which to build. The government, as it exists today, is an example of such a mystical power. Or is there not much obscurity in the government? I suspect much more obscurity than in even the worst mystic.

We must have a sense for these things as we commit ourselves to the tasks to which these lectures are addressed. This course was primarily confined to the formalities of the art of lecturing, but the important thing is the enthusiasm that lives in your hearts, the devotion to the necessity of that effectiveness which can emanate from the Goetheanum in Dornach. And to the degree that this inner conviction grows in you, it will become a convincing power not only for you but for others as well. For what do we need today? Not a mere doctrine; however good it could be, it could just get moldy in libraries, it could be formulated — here or there — by a "preacher in the desert," unless we see to it that the impulse for a threefold social order finds entrance, with minimal delay, to as many minds as possible. Then practical application of that impulse will follow by itself.

But we need to broaden the range of our efforts. A weekly publication such as the Goetheanum will have to be distributed as widely as possible in Switzerland. That is only one of many requirements, in view of the fact that the basic essentials of Anthroposophy must be acquired ever anew; but a weekly of this type will have to find its place on the world scene and work in widespread areas for the introduction and application of the threefold social order. The experience of the way in which the Goetheanum publication thus works will be essential to anyone attempting to assist in the realization of such an order in the social organism.

What we need above all is energy, courage, insight, and interest in world events on a broader scale! Let us not isolate ourselves from the world, not get entangled in narrow interests, but be interested in everything that goes on all over the world. That will give wings to our words and make us true coworkers in the field we have chosen.

In this light were these lectures given; and when you go out to continue your work, you can be assured that the thoughts of the lecturer will accompany you. May such cooperation strengthen the impulse that should inspire our work, if that work, especially in Switzerland, is to be carried on in the right way.

And so I wish you luck, sending you out not into darkness but into where light and open air can enter into the development of humanity — from which you will doubly benefit, as you yourselves are the ones who are to bring this light and openness into the world.

Notes:

Note 1. The proper form was apparently “die,” implying feminine gender. “Das” implies neuter gender.

Note 2. The two syllables of the name are identical in sound with Klee (clover) and Witz (joke). 